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weuoimi 

Hello! Recently I have been developing the idea of reimagining sequencing through hypergraphs. This one, written in a single HTML/JS/CSS file, can be conveniently used in Max's [web] object. It is possible to add a callback to place the messages generated by the hypergraph into a dict for some synthesizer to take them as argument messages.

Take a look at the videos, just imagine that each time a certain node pulsates, it generates a sound or modulation.

Here is how it works. The main idea behind the sequencing is using a special recursive Graph Flood Algorithm I came up with for this project. We have a hypergraph, represented by a regular bipartite graph, where square nodes represent hyperedges and regular circle nodes represent, well, nodes of the hypergraph. Moreover, the hypergraph is directed, which means that you can define the direction of the edge connecting a hyperedge to a node. You begin by defining a hypergraph via JSON, just specifying hyperedges and their nodes. Then you open the editor, which gives you the capability to define the direction of the edges between a hyperedge and a node, associate any messages you want with certain nodes of the hypergraph, and define a delay for each node. Then you choose a start node and launch the algorithm.

I don’t think that I will have much time to tinker with Max to come up with synthesizers that would suit this, but I believe it would form awesome textures with some granular synth with lots of crazy modulations assigned to the pulsating nodes.

Hello! Recently I have been developing the idea of reimagining sequencing through hypergraphs. This one, written in a single HTML/JS/CSS...

does-someone-want-to-play-with-a-hypergraph-sequencer

Does someone want to play with a hypergraph sequencer?

Julien Bayle

 que j'annonce notre prochaine session de formation Max à 

https://structure-void.com/formations/max-msp/

 (pour les intermittent.e.s et artistes-auteur.e.s), autres OPCO, France Travail, …

Cette session peut être complétée par des jours d’

. Ce sont des moments communs où l’objectif de chacun est de travailler sur un projet personnel et d’être accompagné dans sa réalisation. Par extension, cela peut être également un temps d’approfondissement des sujets abordés durant les formations. Ces ateliers permettent aussi la rencontre d’autres artistes.

Vous n’êtes pas disponible à ces dates ? Nous ouvrons aussi des sessions de formation tous les mois, selon vos demandes. Contactez-nous pour parler votre projet de formation et de son financement : 

(Aussi, notre session la plus proche début dans une semaine, il reste 1 place...)

C'est à la fois en tant que Max Certified Trainer & Ableton Certified Trainer que j'annonce notre prochaine session de formation Max à...

fr-formation-max-decembre-2025

[FR] Formation Max / Décembre 2025

axers fall

I'm kinda lost and I need help. any suggestions?

I'm kinda lost and I need help. any suggestions?

Here's my brief resume :

https://axersfall.github.io/

how-to-find-a-job

How to find a job?

Phoebe Nadorp

phoebe_proto_patch (5).maxpat

I'm new to Max and in need of a patch for a vocal performance that adds harmonic layers to my voice while singing live based on motion detection from a webcam I will set up filming audience members moving around the installation space. 

I will also be using motion detection to distort a video projected in the space, ill attach what I have so far: 

Is there anyone who knows how to make a vocal harmonizer I can add onto my motion detection patch. (I'M ALSO WILLING TO PAY IF SOMEONE KNOWS HOW TO MAKE IT XX)

Hi!

[Attachment: phoebe_proto_patch (5).maxpat]
I'm new to Max and in need of a patch for a vocal performance that adds harmonic layers to...

vocal-harmonizer-patch-needed

Vocal Harmonizer Patch Needed 

fractal

Please delete the topic if this is not the appropriate place to post.

Selling my copy "Step by Step: Adventures in Sequencing with Max/MSP" 

book is in perfect condition, asking 20 euros+shipping 

Please delete the topic if this is not the appropriate place to post.

Selling my copy "Step by Step: Adventures in Sequencing with...

selling-my-license-and-a-bunch-of-books

Selling my "step by step : adventures in sequencing with max/msp" book

some name

What exactly is cycling 74’s stance on the backing and support for external developers? Specifically the developers that have put together those top libraries that make max/msp what it is today. Many come from ircam but some are just random enthusiasts.

I have spent the past few days trying to make a very popular external package work. Turns out it’s been broken pretty much since launch. I don’t blame the developer since it’s seemingly one guy at ircam doing all of it but it got me thinking. 

This specific package is mentioned all over as THE physmod library for max and good libraries for physical modelling is a pretty big pull for anyone looking at this kind of software. I don’t know how other software companies handles this sort of thing but wouldn’t it be a good idea to make an effort to make sure important libraries actually works and don’t break when the developer burns out? Max/msp would be a lesser product without some of these packages.

What exactly is cycling 74’s stance on the backing and support for external developers? Specifically the developers that have put together...

deprecated-externals

Deprecated externals

I’ve been part of this community for a while, sharing ideas and projects around Max and Max for Live. Today, I’m happy and honored to announce that 

, the training/consultancy organization I founded, has officially become an 

This recognition comes in addition to my personal certifications on both 

(2010),  and reinforces our commitment to high-level training and knowledge sharing for artists, designers, and creative technologists.

, we design advanced trainings, workshops and individual coaching sessions around. It can be done in French or English languages, remotely or on-site ✨

https://structure-void.com/ableton-certified-training-center-english/

And the full overview of Structure Void here:

If you’re looking to refine your practice or push your projects further, feel free to reach out.

Always happy to connect with fellow Max enthusiasts!

Hello everyone,

I’ve been part of this community for a while, sharing ideas and projects around Max and Max for Live. Today, I’m happy and...

a-new-ableton-certified-training-center-in-france

A new Ableton Certified Training Center in France !!

KerryHagan

The University of Illinois is hosting a special PdCon - the PdMaxCon - to celebrate Pd’s 30th and Max’s 40th year anniversaries.

September 5-7, 2025, at the University of Illinois Urbana-Champaign.

This is the page that will be updated with more information as it becomes available: 

We already have Miller Puckette and David Zicarelli lined up as our keynote speakers.

This will be double-blind, peer-reviewed. So I am also looking for volunteers to review submissions. Please drop me an email at 

 with your preferred email, and what you feel you can review competently (e.g., research? Music? Workshops? Demos? Installations? Topics? Pd or Max or both? Etc.)

You can be both a reviewer and a submitter.

Registration will be free, but we have no money to offer travel or accommodation support.

Hi all,

The University of Illinois is hosting a special PdCon - the PdMaxCon - to celebrate Pd’s 30th and Max’s 40th year...

pdmaxcon25

PdMaxCon25~

I have been using Ableton Live since 2008. Not full time, but as a  Slow Learner like Pynchon. Until recently I started with Max, besides only using M4L devices before.  I've been diving a lot since last December, lots of info with tutotials, clicking the software,  and I am happy to be here and also with a little regret that I took so long (life goes in several ways). Anyway, last week I tried to release a song but the distributor I have since 2020 denied my track, claiming it was AI-generated. After the natural WTF, I've been thinking about where does music stands, but I don't want to have the editorial-like pseudophilosophical conversation about the esence of music, technology, etc. Let's stick to the solutions: have this ever happened to you? What can be done? 

I am really not interested in the follow up with the distributor (they required a screenshot recording, bla bla bla). I am worried about the possibilities of sharing music and not being taken for a robot. Needless to say I'm still in shock by the offensive way the distributor judged my song (I do improvisations, instrumental-experimental, not pre fabricated pop. I can't imagine anyone trying to generate this kind of music with AI). 

Misc Forum