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Philippe OLLIVIER

The second edition of Marées Max (Max Tides) will take place between 1 and 4 July 2026 at Logelloù in Penvenan, Brittany (France). Marées Max consists of lectures, workshops, concerts, discussions.

The following have already confirmed their attendance at this second edition: David Zicarelli (Max developer and CEO of Cycling’74), Maurizio Giri (researcher, lecturer, author, Italy), Alessandro Cipriani (composer, author, Italy), Volker Böhm (Swiss artist and programmer), Rodrigo Constanzo (researcher and lecturer at the Royal Northern College of Music in Manchester), Tom Mays (composer, researcher, professor of electroacoustic music at the Haute école des arts du Rhin), Thomas Collin (composer, professor of electroacoustic music at the Conservatoire de Vernon), Mathieu Chamagne (artist and programmer), Quentin Nivromont (researcher specialising in ambisonic sound and 3D sound), Jean-François Charles (composer, clarinettist, lecturer at the Iowa School of Music, College of Liberal Arts and Sciences), Hervé Birolini (composer, President of the Grand Est Creative Music Platform).

This list is open and it is still possible to propose a lecture, a workshop or a concert…

You can also register simply to attend Marées Max 2026.

The Marées Max (Max Tides) will take place between 1 and 4 July 2026 at Logelloù in Brittany (France)

the-marees-max-max-tides-will-take-place-between-1-and-4-july-2026-at-logellou-in-brittany-france

Jillian Olesen

We got another awesome Office Hours livestream session coming up today on YouTube! We'll be joined by special guest Michael Cella (aka nnirror), an artist an generative systems designer based in Detroit!

And join the conversation today at 11am PT right here!

We'll see you there! Happy patching! 👩‍💻

Hey folks!!

We got another awesome Office Hours livestream session coming up today on YouTube! We'll be joined by special guest Michael...

today-at-11am-pt-office-hours-with-artist-generative-systems-designer-michael-cella-aka-nnirror

TODAY AT 11AM PT! - Office Hours with artist / generative systems designer Michael Cella (aka nnirror)!

Chris Lee

I've been experimenting with generating Max patches using coding agents like Claude Code together with the Python package MaxPyLang.

I put together a short demo showing a quick example of patch generated from a single prompt.

The workflow is Prompt Claude Code -> Run the Python Script -> output a .maxpat file.

If anyone is exploring LLM-assisted workflows for Max, I'd love to hear thoughts or feedback that you might have.

Hi everyone,

I've been experimenting with generating Max patches using coding agents like Claude Code together with the Python package...

claude-code-to-generate-max-patches

Claude Code to generate Max Patches

Egor Egorkin

hi there, recently managed to make a short podcast with a fellow composer, who developed his own max/msp patch to deliver orchestral score. I thought it will bee as inspiring for community as it is for me to see the power of max in very long term.

hi there, recently managed to make a short podcast with a fellow composer, who developed his own max/msp patch to deliver orchestral score....

vito-zuraj-or-how-to-code-an-opera

Vito Žuraj | How to Code an Opera 

i'm looking for an audio developer ? I'm based in France Lyon. 

Its for the development of a multiband limiter with FIR filter-based separation, to be compiled and run on Daisy Seed DSP.

Skills: Max/MSP, RNBO, C++ DSP, Daisy Seed.

Duration: 1–2 months, with possibility of continuation.

Is anyone interested ? Or can anyone put me in touch?

Hi

i'm looking for an audio developer ? I'm based in France Lyon. 

Its for the development of a multiband limiter with FIR filter-based...

looking-for-audio-dsp-developer-maxmsp-rnbo-c-daisy-seed

looking for Audio DSP Developer – Max/MSP · RNBO · C++ · Daisy Seed

MaxW

 about it at SMC 2025, for those interested) as part of my PhD research into chaotic instrument design.

Now has come the time to run a workshop for those interested in experimenting with the use of strange attractors as the basis of chaotic rythmic generation. The central idea is that chaotic/ unpredictable signals can be more than just  'wierd lfos', as long as we embrace their unpredictable nature and relinquish some control!

All that's required is that you have a working Max install and the ability to join Zoom!

For more info and the signup form checkout 

https://www.emutelab.org/blog/SPT-workshop

I've been developing the Strange Pulse Toolkit over the last year, (and presented a paper about it at SMC 2025, for those interested) as...

free-online-workshop-with-the-strange-pulse-toolkit-for-chaotic-instrument-design

Free Online Workshop with the Strange Pulse Toolkit for chaotic instrument design

We're hosting another live patching session on YouTube this 

 featuring special guest Max Certified Trainer 

! Come patch along with Philip & Tom Hall as they explore audio-rate sequencing amongst many other new features in Max 9.1! 🔊🔊🔊

See you there! And as always happy patching!! 👩‍💻

Hey patchers!

We're hosting another live patching session on YouTube this Wednesday 12/17 featuring special guest Max Certified Trainer...

live-patching-session-2-exploring-audio-rate-sequencing-in-max-91-with-special-guest-philip-meyer

Live patching session #2! - Exploring audio-rate sequencing in Max 9.1 (with special guest Philip Meyer!)

Owen Puijpe

Hey all! First of all, thanks for having me on this forum. Recently I thought of a super cool idea, but for this I need Max for Live. Before I start yapping about my idea, I want to give some context.

My name is Owen and I study jazz drums at the Rotterdam conservatory. This year I have to start my own project. I like a lot of music and I want to incorporate all these styles into my own songs and playing. I really like metal music (especially messhuggah), and I want to write rhyhtmically complex compositions/forms. However I am a jazz musician, and I dont want to get stuck to much in the same groove. 

So I started to think, how can I make a band sound as a whole playing behind a soloist or melody? without too many rhyhmtic things happening at the same time (to a point where clarity is lost)(drums,piano and bass all playing different complex rhyhtms). Especially in subdivision 5 or bigger. 

I came up with a solution. I bought some kickdrum triggers. Now a keyboard player will play harmony on a MIDI keyboard (operator-synth). And when I play on my kickdrum, the sound of the harmony comes through. So I put a gate on my MIDI keyboard an sidechained it with the kickdrum trigger. 

When I hit on my kickdrum, and the gate opens, there is only one note value length. If I kick super fast notes, the synth note becomes one long note and the rhyhtm is lost. If I kick one note with a lot of space in between, the note will die out too soon to my taste. I am trying to find a solution for this problem. I did some searching, but it seems like it only will be possible if I write my own Max for Live patch. However I didnt use it before and I am a super noob. My question is if someone is willing to help me out? or has some ideas? 

It would mean a lot to me if someone is willing to help me out. I think this idea is pretty innovative. But max super hard for (instrumental)musicians to learn. 

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