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nicola raccanelli

 to complete our team for an audiovisual production on the theme of Orwellian control in the context of contemporary digital society.

The ideal person has skills in Jitter, telecommunications, knows and can implement internet and/or wirless systems that can communicate with max.msp.

The production is paid and includes two residency periods in Emilia Romagna, Italy, one in July and one in September of about 2 weeks each.

Hello everyone,

We are looking for two audiovisual artists or visual artists to complete our team for an audiovisual production on the...

invitation-to-collaborate

Invitation to collaborate

Mikey Siegel

The GroupFlow Project, uses advanced sensors to measure what's happening in the breath and heart, then turns that data into light, sound and music acting as a form of collective self awareness. The group can merge into synchronized breathing, hear each other's heartbeat's, explore new tech augmented approaches to meditation and much more.

The Max/MSP system can accommodate up to 24 participants, requiring 27 independent channels of audio, 24 channels of sensor data, 24 LED channels, in addition to the over 500 LEDs in the physical space. This system is optimized for very low latency and is capable of providing real-time light and sound feedback.

Recently a private funder has supported a research collaboration with UC Santa Barbara which will require the development of new functionality as well as the operating of the system for experiments and events. 

This position would require taking over a large and advanced code base developed over years by multiple developers. The work would be in three parts:

This is not a simple or lightweight project. It would take significant energy to get up to speed and will require fluency not only in Max/MSP but deep understanding of audio signal processing and general good coding practices for large software systems efficiently handling numerous real-time data streams. 

We are looking for a part-time developer with a flexible schedule and the ability to occasionally travel. Candidate should be based in Southern California and able to regularly participate in events in Ojai, CA. The current funding has a fixed budget, but this project is expected to continue and grow. The ideal candidate is available with flexible hours and open to growing into a more regular work cadence as funding and project grow. 

Please don't hesitate to reach out with questions. 

The GroupFlow Project, uses advanced sensors to measure what's happening in the breath and heart, then turns that data into light, sound...

job-lead-engineer-interactive-multi-person-sound-light-bio-sensing-platform

JOB: Lead Engineer Interactive Multi-Person Sound / Light / Bio-Sensing Platform

gillad friedman

Hello all, im looking for a max msp advanced user to compose a patch for my project.

essentially im using an RGB sensor via my arduino that "reads" a spinning wood log very much like a turntable. i want to use the data from the sensor to generate a parametric sound system. 

if you find this project appealing and want to join ill be happy to elaborate more. via mail or whatsapp. i will accept charging by the hour or for the full patch.

Hello all, im looking for a max msp advanced user to compose a patch for my project.

essentially im using an RGB sensor via my arduino...

patch-creation-for-a-max-msparduino-project-paid-job

patch creation for a max msp+arduino project - paid job

Kyle Turgeon

I'm working on a live show where I'm playing the score for film live, building it in loops & layers and also semi live-editing the accompanying video. 

One thing I've needed to do is to be able to hit a different midi pads throughout my setup that each can send a trigger to Resolume (VJ software) to play the next column of visuals on the next beat #1. Resolume has a device called Parameter Forwarder that sends a signal from Ableton to Resolume, so I've just created a very simple patch that can send the Parameter Forwarder a bang immediately when I hit a midi pad, or have the bang wait until the next beat #1. 

I am a total Max noob, but I figured it out enough to create a very basic patch and get it working most of the time, but there are still a few gremlins in the patch that are coming back to haunt me now that I'm starting to play the show for people live. Here are the issues: 

I've asked ChatGPT which had some thoughts but honestly I don't understand Max well enough to be able to implement the ideas. I would love to learn Max fully someday but I'm really daunted by the thought of it currently. I'd be super grateful for any insight you have. This patch is really important to this show that I'm making and I'd be happy to pay someone for their time helping me to make it more robust. I'd also be happy to do some kind of skill swap, I've learned a ton about Ableton and Resolume for this show and have been a filmmaker & video editor for 15 years in case any of that is helpful to you! 

Here is the patch that I created. I've also attached a photo showing how it's setup in Ableton. (First row are midi mappable buttons that send a next column signal to Resolume, second row of big circles send a next columnn signal to Resolume on the next beat #1)

and here is a little more info for how the parameter forwarder works from Resolume's website

thank you so much for your time reading this, and thank you in advance for your help! i really appreciate it. 

Hey all, 

I'm working on a live show where I'm playing the score for film live, building it in loops & layers and also semi live-editing...

help-wm4l-patch-that-sends-trigger-from-ableton-to-resolume

Help w/M4L patch that sends trigger from Ableton to Resolume

David Rundle

I have my live set’s tempo mapped to a knob on a control surface. I want the maximum value for the Tempo’s midi cc to automatically update to the live set’s current tempo (relevant when switching between scenes at different tempos). How can I achieve this? Thank you.

I have my live set’s tempo mapped to a knob on a control surface. I want the maximum value for the Tempo’s midi cc to automatically update...

automating-value-range-for-tempo

Automating value range for Tempo

Nik Eaton

I am looking for someone to help me with recreating this Sennheiser VSM-201 emulation as a Max4Live device.  A vocoding wizard YouTuber by the name of Cmyth created it on Reaper:

I reached out to this person directly to see if he would be able to recreate this in Ableton, which he attempted to do but it didn't come out quite right.  I still have the Ableton project file that he sent me if it would be helpful to look at.  Luckily, in the YouTube video, while Cmyth demonstrates his vocoder he explains what is going on under the hood a bit. 

There are a few plugins that are used to create this sound, including Fab Filter Pro Q 3.  The other plugins he used are free, but Pro Q 3 is not.  I imagine these plugins may have to be built into the Max4Live plugin to work.  I am a Mac user, so whichever third party plugins may be used in this recreation must be Mac compatible. 

If anybody feels this is doable please reach out!

Hello, 

I am looking for someone to help me with recreating this Sennheiser VSM-201 emulation as a Max4Live device.  A vocoding wizard...

help-with-creating-a-vocoder-on-max

Help with creating a Vocoder on Max

MakePatchesNotWar

Chris is putting shame to our species, surely u can do a better job? I can't accept us getting beaten a bunch of monkeys like this... 

Granted we aren't getting a peanut when we solve it so that is also a factor but still... 

(They also got me beat though as i can do it nowhere near the same speed as them)

-put both files in the same folder. Open the file that starts with "main" (my poly~ naming convention sucks i know, sorry)

- Start the jit.world and start. Clicking "0" the first time will reset the whole session and i think it's because of lingering values? Don't worry, it doesn't keep an overall score....

MainPtachPolyTextTest.maxpat

PolyTextTest.maxpat

Chris is putting shame to our species, surely u can do a better job? I can't accept us getting beaten a bunch of monkeys like this......

sharing-appears-to-get-out-of-fashion-do-the-monkey-memory-test

[Sharing appears to get out of fashion?] Do the monkey memory test!

James Everitt

In short, willing to pay for someone who can put together a patcher that takes two argument inputs "Track Name" and "Channel" that routes plugout 3/4 to that Track NAME and channel pair input. It would continue to work when creating new tracks, reordering, reloading a set (anything that might change trackid's).

I'm using expert sleepers Eurorack modules  to get 24 CV outputs (time multiplexed) from one audio channel via ADAT. These two gen~ devices do the multiplexing 

https://maxforlive.com/library/device/7874/expert-sleepers-esx-8cv-encoder-device

https://maxforlive.com/library/device/7873/expert-sleepers-es-5-encoder-device

The issue I've faced when working with Push Standalone is that umenu isnt mappable to Push, so I cant edit the routings above. I had to modify the devices to route the esx8cv device output to ~plugout 1/2, then use Live's Audio Routing to send that into the ES5 input 3/4, 5/6 etc. This isn't desirable for many reasons.

I just want a patcher that routes 3/4 out of a Max audio plugin into one of the channel input pairs of the track named 'ES-5'

Hi,

In short, willing to pay for someone who can put together a patcher that takes two argument inputs "Track Name" and "Channel" that...

route-plugout-34-to-statically-defined-track-input

Route plugout~ 3/4 to statically defined track input

Domenico Di Giosa

Hi, beginner here... Is there any chanche to have a umenu which is autopopulated and updated by adding/removing items to the playlist object? 

Misc Forum