This page is only visible to admin users. Sorry!

This page is only visible to signed in users.

Contact <link>support@cycling74.com</link> if you believe you're seeing this page in error.

You don't have permission to view this page.

Activity

Billing History for { name }

Licenses

There was a problem removing the addon. Please try again.

Are you sure you would like to remove the <name>{addonName}</name> addon from your Max subscription? Your {addonName} addon license will remain active until the end of your current billing cycle.

{name} was successfully removed from your Max subscription.

Remove Addon

There was a problem resuming your subscription. Please try again.

Are you sure you would like to resume <name>{addonName}</name>? Your billing cycle will be reactivated and you will be billed as normal on {renewalDate}.

Your subscription has been successfully resumed.

Resume Subscription

There was a problem cancelling your subscription.

Are you sure you would like to cancel <name>{licenseName}</name>? Your license will remain active until <expiry>{expiryDate}</expiry>, at which point your subscription will expire and the license will be deactivated.

Your subscription has been successfully canceled.

Cancel Subscription

Next, start up the Max application and sign into your account (Help > User Account and Licenses).

Max has been successfully activated.

You must be signed into your account to activate Max.

Activate Max

Create a New Post

Edit Article

The list of what we're discovering about Max and our users grows each day. We tackle everything from hardware reviews to re-reading books from decades past.

Get the Latest on Max and our Community

Articles

Sign Out

Sign in to authorize License

Authorize Max

Filter by Format

Filter by Language

Find books related to learning Max.

Books About Max

Here are the artists and educators helping people get creative in Max

Meet Our Max Certified Trainers

Certified Trainers

{ firstName } { lastName } - Certified Trainer

There are no open positions at this time.

Please check your inbox for further instructions.

Forgot Password

Error

Success

Actions

Create Forum Topic

Edit Forum Topic

{category} Forum

There was an error submitting your details. Please try again.

Thank you for your submission! Someone will be in touch with you soon.

NFR / Industry Accomodations

Please make sure you use the link you received by email.

There was a problem retrieving your invitation.

Your account has been successfully created. To manage your institutional licenses, please go to <authLink>https://auth.cycling74.com</authLink> and sign in with your newly created account.

You must be signed out to view this page.

Create an Account

Find more details on our <link>Status Page</link>.

Under Maintenance

We are currently carrying out a scheduled maintenance of our website. Some functionality is temporarily unavailable. We appreciate your patience.

Name

Sort By

{ category } Packages

Share a Max Project

Edit Project

Image Notes

Important Notes

Max Projects come in all shapes and forms. Over the years, our users have shared over a thousand ideas and projects with us. We're proud to showcase them here.

Find Inspiration from other Max Users

Cycling '74 will review it within a week and may make minor edits before publishing it, so your project looks best and reads well in our project gallery.

Thank you for your submission! Your project is currently pending.

Account Recovery

Bundled

{ name } { version } Release Notes

There was a problem changing your password. Please try again.

You can now <link>log in</link> with your updated credentials.

Your password was changed successfully.

Reset Password

Your purchase has now been linked to this account. Next, start up the Max application and sign into your account (Help > User Account and Licenses).

Retrieve License

Type

Search the Cycling '74 forums and website

Search {query}

Please enter your educational details

Your Max for Live or Live Suite serial number is required for this purchase. <link>Need help finding your serial number?</link>

There was a problem updating your subscription. Please try again, or contact support@cycling74.com if the problem persists.

Confirm Subscription Addon

Thank you for your purchase

Thank you

Retrieving your order details, please wait...

Contact <link>support@cycling74.com</link> if you have questions/issues.

Couldn't sign in. Please check that your username/email and password are correct.

Sign in with your Cycling '74 account

There was a problem creating an account. Please try again.

Successfully created your user account! Please check your email for one last verification step.

Create a Cycling '74 account

Select a Product

Thank you! Your request has been successfully submitted to our support team. Please check your email.

There was an error sending your application. Please try again.

There was an error sending your request. Please try again.

By submitting this iLok request, you understand that you will be notified when an asset is deposited to your iLok.com account. After receiving that notification, you can transfer the asset to your iLok USB stick. Please be aware that all iLok requests are manually processed so it can take up to 48 hours to fulfill your request during normal business hours (Monday-Friday, 9am-5pm Pacific Time).

Important Information

Thank you! Your request has been successfully submitted.

Please note that we are no longer taking submissions for Tools and no longer supporting the Tools section, so you may run into broken files and URLs. You can contribute to the Cycling '74 Community by submitting a Package or using the forums instead.

Max Tools Archive

Edit Tutorial

Tutorials are an ideal way to accomplish a task, learn a new strategy or brush up on your skills. In addition to our in-app Examples, Tutorials and Help Files, you can find new ones here.

Explore the Online Tutorials

Tutorials

Thank you. Please start Max and sign in to use your license

Upgrade

Sign In

Your account requires verification. Please check your inbox, or <link>click here to send the verification email again</link> if you didn't receive it.

Unverified Account

Do you have an activation code?

Already own Max 8 and ready to authorize?

Trouble? Please email <link>support@cycling74.com</link> for help.

If you're new to Max, this is just for you.

Thanks for verifying your account!

You're one step closer to being part of the Cycling '74 Community.

Verify Your Cycling '74 Account

Failed to request a new verification e-mail: {message}

A verification email has been sent to { email }. Please check your inbox.

Can't find your verification e-mail or only have an expired one?

There was a problem verifying your email change. Please try again.

There was an error verifying your email address.

Your email address has been successfully verified. Thank you!

Verify Your Email Address

A user token is required to verify your email address. Please follow the link you received via email.

Darwin Grosse

One of our most popular article series was the 

, which built a guitar processing rig by creating a number of connected components. Since the original was published, there have been a number of changes to Max - from the look of patches, to patching 'standards', and even to the available components. We felt like it was time for an update to this series.

, Andrew Benson and Ben Bracken went through the process of connecting a guitar to a Max-based processing system, and creating a few guitar-oriented effects patches. In this series of articles, I will be building a Max-based guitar processing "rig" and will give you the opportunity to look over my shoulder as I design and implement this system.

Max8-GtrProc-1.maxpat

The first thing I did was to plan the processing chain that I would create. I wanted a rather typical guitar rig, with the addition of a looping delay line. I decided on the following functional graph:

Max8Guitar1-RigDesign.jpg

I also made a few decisions about general program functionality. Since this will be a stand-alone program/patch, I wouldn't worry about limiting system resource usage; therefore I wouldn't wrap subpatches inside of 

 objects (which could reduce their CPU load when unused). Also, I decided to take full advantage of Presentation Mode, allowing me to code in a convenient way and worry about the performance layout in a separate step.

Since I am a dyed-in-the-wool tweaker, I wanted to structure the code in such a way that I could manipulate it easily - even during live performance. This means that I needed to create an easily-to-follow patch that was well-labeled, and I needed to encapsulate at a level appropriate for on-the-fly changes. Finally, in order to build this quickly, I will beg, borrow or steal as much of the programming as possible without resorting to the use of VST plug-ins (which would reduce tweak-ability). Throughout these articles, you will see me reuse older code, appropriate from other applications and use third-party objects whenever necessary. I also take full advantage of some design patterns I've developed that allow for quick coding of more complex patch routings.

Since this is a stand-alone patch, we need to control our own input and output. Let's start by creating an input section. If you open the patch Max8-GtrProc-1.maxpat (link?), you will see that I have used 

 objects to split the patch into segments that correspond to the functions described in my processing graph. Place the patch into Presentation Mode, and you will see that these segments jump into a "rack style" package that is easy to follow during performance.

m8gp1-a.png

Move back into Patching Mode, and look at the top-left section of the patch. It is labeled "Input", and includes several controls connected to an abstraction named "input_handler". Double-click on the input_handler subpatcher to see its contents.

m8gp1-b.png

This subpatch is pretty simple: it contains a number of 

 objects that allow my controls to display and alter the audio settings used at runtime. The function is similar to using the DSP Status window, but exposes only those items I considered important for realtime performance. Since I don't use the 

 object very often, I don't know the functional arguments by heart. While I could have used the documentation to learn about the object, I decided to steal the functions from the help patch instead!

By viewing the help patch, I can learn about the function of an object. However, all help patches are also functional Max patches. In this case, I was able to unlock the 

 patch, copy the functional objects that I needed, then paste them into my subpatcher. By connecting a few inlets and outlets, I'd created the small and efficient input setup handler that I needed. In addition to setting the DSP Settings, I also want to control gain at this point. This is especially important with an instrument-driven patch, since different input hardware will provide vastly different levels. In my case, I will sometimes be using an IK Multimedia Stomp I/O, sometimes a mixer with an audio interface, and sometimes a direct connection into my Mac's audio input - so I want good control of my front-end gain. I did this by adding a 

 object to the input section, then routed the input into this control. By using a scale control, I'm able to change the normal range of the gain knob (0-127) into a range that goes from 0.0 (silent) to 4.0 (quadruple-volume).

The next stage of the patch is a compressor. Since compression can have a very significant effect on the sound of the instrument, I wanted detailed control over its parameters. Therefore, I am using number boxes (rather than knobs) to control the values; this gives me precise control over the compressor's operation without having to guess at a knob's output value.

m8gp1-c.png

Again, this section is mostly a set of controls connected to an abstraction named "comp_handler". Double-click on this subpatcher to view its contents. This is a very simple subpatch; I've just borrowed the komp subpatcher (found in examples/effects/kompressor/lib of the Max folder) without change. I set one parameter (lookahead) directly with a 

, but mostly expose the functions directly to the main patcher. Since this subpatcher is so simple, why didn't I just use komp directly in my main patch?

In the future, I may want to develop my own compressor system, or I may choose to implement code from someone else. I may even break down and use a VST compressor. In any of these cases, I would want to change the compressor "engine" without having to disturb my main patcher. By placing the compressor in a subpatch, I can change the underlying compression engine without ever having to change the top-level patch or the user interface. This is a "high detail" compressor, giving me the kind of control I want for a flexible rig. If you aren't that familiar with compression, though, it may seem a little intimidating. Here are a few settings that I've found useful with this processor:

Max8Guitar1-CompSettings.jpg

Note: In each of the processing areas of the patch, you will see a small grey panel - it doesn't seem to do anything. However, when you switch into Presentation Mode, you should see these panels expand to become the background of the individual processing sections. This is an example of using the Presentation Mode's ability to change an object's geometry to keep my patching view clean, but give me an attractive user interface.

The final processing section for this tutorial controls the output. This section will be familiar to any Max/MSP programmer - it's the basis for audio output in almost any audio patch. The output of the compressor is sent to the two faders, which provide left/right volume control. The signal is then routed to an 

, which is also our DSP on/off control. If you have your guitar (or other instrument) plugged into the computer, you can check the settings on the input module, turn on the DSP, turn up the volume and hear your instrument through the patch.

m8gp1-d.png

However, it's not always convenient to test with an actual instrument. For example, some of this patch was done while I was waiting in an airport. The last thing the airport security wants to see is for me to pull out a guitar and start wailing. What I've done is to include a "test fixture" that I can use to test the patch as it is being built. You will notice that this section (labeled "test fixture") gives me the opportunity to load and play a file, play an oscillator tone, or generate noise. This is a subpatcher, called "

", that is integral to many MSP help files, and has replaced a lot of different test systems I've used in the past.

 help file), and copied it into my patch. The output of 

 object labeled "test". This audio is received into the audio input (that's the extra 'stuff' in the input section), inserting the audio at the same point that my patch would see an instrument. This way, I can test patches without having an instrument plugged in, helping me to be productive when my guitar isn't easily accessible.

We've created the basic I/O blocks for our performance patch. In the next article, we will expand it by adding a good-sounding distortion/overdrive system and a highly controllable filter/EQ. In the meantime, work with this basic patch, learn to understand the routing between the objects and explore the use of the compressor. Until next time - have fun!

One of our most popular article series was the Max 5 Guitar Processor, which built a guitar processing rig by creating a number of connected components. Since the original was published, there have been a number of changes to Max - from the look of patches, to patching 'standards', and even to the available components. We felt like it was time for an update to this series.

In an earlier article, Andrew Benson and Ben Bracken went through the process of connecting a guitar to a Max-based processing system, and creating a few guitar-oriented effects patches. In this series of articles, I will be building a Max-based guitar processing "rig" and will give you the opportunity to look over my shoulder as I design and implement this system. 


I also made a few decisions about general program functionality. Since this will be a stand-alone program/patch, I wouldn't worry about limiting system resource usage; therefore I wouldn't wrap subpatches inside of poly~ objects (which could reduce their CPU load when unused). Also, I decided to take full advantage of Presentation Mode, allowing me to code in a convenient way and worry about the performance layout in a separate step.

Since this is a stand-alone patch, we need to control our own input and output. Let's start by creating an input section. If you open the patch Max8-GtrProc-1.maxpat (link?), you will see that I have used panel objects to split the patch into segments that correspond to the functions described in my processing graph. Place the patch into Presentation Mode, and you will see that these segments jump into a "rack style" package that is easy to follow during performance.


Move back into Patching Mode, and look at the top-left section of the patch. It is labeled "Input", and includes several controls connected to an abstraction named "input_handler". Double-click on the input_handler subpatcher to see its contents.

This subpatch is pretty simple: it contains a number of adstatus objects that allow my controls to display and alter the audio settings used at runtime. The function is similar to using the DSP Status window, but exposes only those items I considered important for realtime performance. Since I don't use the adstatus object very often, I don't know the functional arguments by heart. While I could have used the documentation to learn about the object, I decided to steal the functions from the help patch instead! 

By viewing the help patch, I can learn about the function of an object. However, all help patches are also functional Max patches. In this case, I was able to unlock the adstatus.maxhelp patch, copy the functional objects that I needed, then paste them into my subpatcher. By connecting a few inlets and outlets, I'd created the small and efficient input setup handler that I needed. In addition to setting the DSP Settings, I also want to control gain at this point. This is especially important with an instrument-driven patch, since different input hardware will provide vastly different levels. In my case, I will sometimes be using an IK Multimedia Stomp I/O, sometimes a mixer with an audio interface, and sometimes a direct connection into my Mac's audio input - so I want good control of my front-end gain. I did this by adding a *~ object to the input section, then routed the input into this control. By using a scale control, I'm able to change the normal range of the gain knob (0-127) into a range that goes from 0.0 (silent) to 4.0 (quadruple-volume).

Again, this section is mostly a set of controls connected to an abstraction named "comp_handler". Double-click on this subpatcher to view its contents. This is a very simple subpatch; I've just borrowed the komp subpatcher (found in examples/effects/kompressor/lib of the Max folder) without change. I set one parameter (lookahead) directly with a loadbang, but mostly expose the functions directly to the main patcher. Since this subpatcher is so simple, why didn't I just use komp directly in my main patch?

The final processing section for this tutorial controls the output. This section will be familiar to any Max/MSP programmer - it's the basis for audio output in almost any audio patch. The output of the compressor is sent to the two faders, which provide left/right volume control. The signal is then routed to an ezdac~, which is also our DSP on/off control. If you have your guitar (or other instrument) plugged into the computer, you can check the settings on the input module, turn on the DSP, turn up the volume and hear your instrument through the patch.


However, it's not always convenient to test with an actual instrument. For example, some of this patch was done while I was waiting in an airport. The last thing the airport security wants to see is for me to pull out a guitar and start wailing. What I've done is to include a "test fixture" that I can use to test the patch as it is being built. You will notice that this section (labeled "test fixture") gives me the opportunity to load and play a file, play an oscillator tone, or generate noise. This is a subpatcher, called "demosound", that is integral to many MSP help files, and has replaced a lot of different test systems I've used in the past. 

For this patch, I grabbed demosound from a help file (in my case, from the comb~ help file), and copied it into my patch. The output of demosound is routed to a send~ object labeled "test". This audio is received into the audio input (that's the extra 'stuff' in the input section), inserting the audio at the same point that my patch would see an instrument. This way, I can test patches without having an instrument plugged in, helping me to be productive when my guitar isn't easily accessible.

Learn More: See all the articles in this series 

Darwin_block.jpg

One of our most popular article series was the Max 5 Guitar Processor. There have been a number of changes to Max, and we felt like it was time for an update to this series. Over the course of the expanded and updated series, I will be building a Max-based guitar processing "rig", and will give you the opportunity to look over my shoulder as I design and implement this system.

max-8-guitar-processor-part-1

komp is not correctly implemented as a compressor.  Below the knee it has a gain of 1, and above the knee it has a gain of 1/R. Within the knee region the gain linearly transitions from 1 to 1/R.  With R = 10, the output actually decreases with increasing input.  The curve of out (in dB) vs in  (in dB) should be continuous with a slope of 1 below the knee and a slope of 1/R above the knee.  Within the knee the slope should smoothly transition from 1 to 1/R. The math for calculating the gain is incorrect in kemp-balistics.

I have created a new version of komp-balistics that correctly calculates the gain.  I am attaching it for your (or anyone's) use. Compressors are a very important part of my guitar rigs. I am working on accurately emulating actual tube-amp distortion in MAX.

Really promising, thank you for this tutorial.
Is there any possibility to upload such a patcher in some hardware device ?


Satta King Gambling in India 2022 | lottery game

<a href="https://sattakingm.in/">Satta King</a> Gambling is an online lottery game where players wager on the outcome of a toss or draw. If their prediction is correct, they win money. The game is played by both online and offline players. Online players can create an account on the <a href="https://sattakingm.in/">satta king 786</a> King website and either play for real money or play for free with no risk. In both cases, the goal is to win a large sum of money.

<a href="https://sattakingm.in/">satta king fast</a> Gambling is an illegal lottery game in India. Players place bets on the matka, or pot, and then win the prize based on the correct guesses. However, this gambling activity is legal in some states in the country. In India, <a href="https://sattakingg.in/">Satta King</a> is a popular way to pass the time.

The internet is a great place to play <a href="https://sattakingg.in/">delhi satta king</a> gambling games. You can watch live streams of popular sports events, play games and even bet on the game. With this trend, mobile gamers can bet on the games that interest them. With online <a href="https://sattakingg.in/">satta king result</a> Gambling, you can experience <a href="https://sattakingmatka.in/">Satta King Live Result Online</a> Gambling in a safe and fun environment. If you're not sure whether to try this new game or not, be sure to do your research first. There are many websites out there that offer <a href="https://sattakingreal.in/">Satta King Online Result</a> Gambling without any danger.

Satta Bazar Result 2022 | casino operators
https://sattakingm.in/
https://sattakingg.in/

Online gambling has become increasingly popular in India, with international casino operators offering Indian games like Andar Bahar and Teen Patti. Playing online Satta King can be safe, legal and regulated. There are no Indian laws that prohibit gambling on the internet. You can even play Satta online and bet on cricket games.

Why am I not able to download the patcher file. Is the link broken? I clink on the download button and nothing happens

Thank you for giving such useful information that is often difficult to come by. Good job. Excellent article and your website are quite user-friendly. Your website and essay are fantastic. I'm a blogger who focuses on fashion. You can see examples of my work by visiting this website.

Very good, I think I found the knowledge I needed. I will see and refer to some information in your post. thank you!

Thanks U! maybe you can with MOD DUO X pedal

Really promising, thank you for this tutorial. Is there any possibility to upload such a patcher in some hardware device ?

That's Great, thanks you for this turtorial.

Is there any possibility to upload such a patcher in some hardware device ?


Thực sự hứa hẹn, cảm ơn bạn cho hướng dẫn này. Có khả năng tải lên một bản vá như vậy trong một số thiết bị phần cứng không?

I truly appreciate and thank you for this guidance. Is it possible to apply such a patch on some other hardware devices?

Topcer88 is a game online base on website, game coin, game board, game digital. 

Topcer88 gift user prize Jackpot minimal redeem RP 10.000 user can deposit and play many game in here 

come and join with us Topcer88

Really promising, thank you for this tutorial.

I find it useless, not very necessary for this life. Haizzzzzzzzzz

DAGAC1.COM  - Trang tổng hợp các trận đá gà trực tiếp hôm nay, đá gà Thomo, đá gà Campuchia, đá gà Việt Nam  và tất cả các trận đá gà khác.  Thông tin liên hệ: Website: https://dagac1.com/ Email: dagac1.comm@gmail.com 
SĐT: 0377176955 Địa Chỉ: 34 Hẻm 116 Lê Đình Cẩn, Tân Tạo, Bình Tân, Thành phố Hồ Chí Minh Maps: https://goo.gl/maps/TS9pr6uk2ktQPVDw5 Stack URL https://dagac1.com/da-ga-truc-tiep/ https://dagac1.com/kien-thuc-nuoi-ga/ https://dagac1.com/ga-phong-thuy/  https://dagac1.com/tin-tuc-ga-da/#dagac1 #dagatructiepc1 #dagatructiep #dagatructiepthomo

Nama Situs Toto Terpercaya Online 24 Jam
Bagi para pemain pemula harus memahami dan mengetahui dahulu situs situs wengtoto.com terpercaya yang saat ini sedang hits di indonesia. Karena jika salah sedikit saja para member pemula bisa saja bermain disitus togel kw / penipu. Jika itu terjadi bisa - bisa kalian akan mengalami yang namanya kerugian dikarekanan kalian salah bermain disitus togel kw / penipu dan kalian semua tidak mengetahui atau mencari tahu terlebih dahulu apa itu yang dinamakan situs judi togel toto resmi dan terpercaya.

Explore the Online Tutorials

Max 8 Guitar Processor, Part 1

An MC Journey, Part 1

Oopsy Daisy — An Introduction, Part 1

Demystifying Digital Filters, Part 1

Building a Synthesizer Editor with JavaScript, Part 1

The JavaScript-mtr Connection, Part 1

A Basic Vocoder Tutorial, Part 1

Max for Live Best Practices, Part 1

Best Practices in Jitter, Part 1

Node Recipe 00: Socket Drawings