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Teb Geronimo

Hey I just wrote a patch that dumps a dict in max format, including any nested data. So if you are like me and just want to get everything out of any dict to max at once here is a solution in pure max without js.

Just send the patcher your dictionary name and it spits out the entire dictionary with nested data and arrays using max syntax.

print: prompt this is the 'end' of the world and it is now the beginning of time

print: response::id cmpl-3xYpqH8fykcBKR1aViLQ7dQSWSiBc

print: response::model davinci:2020-05-03

print: response::choices::text — about is very gorgeous

print: response::choices::finish_reason length

this is super handy if you then dynamically use the forward object to distribute the data (also in the patch).

I found this really frustrating to make, especially as the gettype request does not distinguish between a dictionary and a one element array, so the work around is to reset one-element-arrays converting them to their content and removing the [] array symbols.

Hey I just wrote a patch that dumps a dict in max format, including any nested data. So if you are like me and just want to get everything o

dump-a-dict-to-max-one-single-element-array-dict-bug-solution

Dump A Dict to max, One / single element array dict bug solution

Andy Maskell

Does anybody know of an object, external or other method to create a momentary toggle button that will turn on with mouse down and turn off with mouse up?

Does anybody know of an object, external or other method to create a momentary toggle button that will turn on with mouse down and turn off 

active-toggle-button

Momentary button

rosafell

I'm really confused: I patched a kick synth which is in a sub patcher. If I trigger it with a bang, it sounds really nice. But if it's triggered by the output of edge~ (which to my understanding is just a bang?) it's sounds really different. The attack of each kick is different, it has this phasey, clicky quality kind of like a free running osc. My first guess was that multiple bangs come in quick succession. I know that's not the case, but this is a bit what it sounds like.

Now the  reason I'm using edge~ here is because I wanted to do some sequencing with signal objects, like a subdiv~ going into a what~ which is then converted by edge~ into a bang. 

To make things even weirder: It only happens with my kick synth. But I'm stuck looking for a problem with this synth, as it works perfectly fine unless I trigger it with edge~. Therefore I won't go into details with this kick synth to avoid making this post unnecessarily long.

I searched the forum before posting this, but all threads regarding edge~ problems referred to edge~ catching the start of a phasor cycle. I appreciate any kind of help or suggestion. 

Is the output of edge~ somehow different to a bang? The attack of my kick sounds weird...

is-the-output-of-edge-somehow-different-to-a-bang-the-attack-of-my-kick-sounds-weird

tejan

~' video, I built this sampler for a project I am working on. How do I stop this from looping and instead playing it once and never again until the bang is hit again? I tried changing the groove~ object to groove~ SamplesOne @loop 0. I've removed the @loop attribute altogether, I've tried to replace the trigger with a bang, I've connected the bang to the groove object, to the sig~ object and nothing works. Thank you!

How to make this polybuffer sample player play the sample once and NOT loop.

how-to-make-this-polybuffer-sample-player-play-the-sample-once-and-not-loop

Artem Malyshev

This is an FM kick for use inside poly. I'm using phasor driven cos~s here instead of cycle~s so that the modulating oscillators remain consistent between bangs. When testing inside the patch phasor phase reset works properly but, using it within poly, phase sometimes seems to fail to reset or resets to a wrong value (the mistake persists for a while).

I wonder what could be the issue here or if there is an alternative method to using phasor->cos?

poly-phasor-phase-reset-weirdness

poly~ phasor phase reset weirdness

Ernest

This is part of a series of tutorials on the Husserl3 design. All tutorials in this series:

This time it only took me a couple of hours to convert a polyphonic design into a multiphonic one. This tutorial describes how any number of voices can play different sounds set from any number of channels, with different parameters for each channel. I'll be describing how I'm running 16 MIDI channels with 128 parameters each on any of 32 poly~ voices, but the same technique generalizes to MC.gen~ with any number of voices and any number of parameters, within any available computational limitations. Also this tutorial contains a multiphonic voice allocator patch for MIDI and kslider notes.

While the technique is easy, this is an advanced tutorial that requires at least some acquaintance with Max buffers, pattrstorage, zl objects, gen codebox, Max polyphony, and javascript.

If you're wanting multiphony, really gen~ is the best option. It can do everything the msp~ audio processing objects can, and it is much faster. So first I got a polyphonic design working in a poly~ object in gen~., with all its params stored in pattrstorage.

That meant setting scripting names for all the panel controls, and using the same names for params in gen~, which was the majority of the effort. Using the same monicker for panel obects' scripting names and gen~ Params means for example you can send pattrstorage a 'dump' command and wire its output into gen~ to set Param values.

When I started on the naming thing, I didn't realize how much difference it would really make. Now I can use the same list of param names for javascript panel control, buffer peek/pokes, and midi i/o too. So it was worth the effort.

To convert the polyphonic design to multiphony, first I created a buffer~ called 'programs' with 16 channels, and one sample for each param value, as below. When the patch is closed, the freebang message saves the buffer's state, which is then loaded again when the patch is reopened. This snip also shows how I measure for CPU peaks. When the CPU peak is over 90%, I reduce the number of playing channels automatically.

Screenshot 2021-10-15 223311.jpg

The same buffer can hold multiphonic presets, but it's advisable to arrange them as sequences within the 16 channels, viz., "buffer~ programs -1 16 @samps 12800" for 100 multiphonic presets of 128 params. Max chokes with somewhere around more than 64 channels per buffer, I don't know the exact channel limit, but I tried 32,768 channels in one buffer, and Max was really unhappy about that.

For MIDI I/O and sending parameters to gen~, first I sent a dump message to pattrstorage to print all the script names and used the zl object to concatenate them into a messagebox. I edited the messagebox to create a list of all the param names.

So one can send name/value tuples around with send and receive objects, but each one adds a buffer delay and an additional message in the message queue, so I had painstakingly wired all my panel controls directly to gen~.

As I had hardwired it all, I dragged all the wires from the poly~ object input to an 'unpack' object's second input. Then here's the clever bit. I convert the param names into buffer index offsets with a 'zl sub' object, as shown below. I poke all the param name/value tuples into the buffer channel indices like this....this just pokes it into channel 1, I haven't made the panel control to select different channels yet.

Screenshot 2021-10-15 181801.jpg

The poly~ is very simple. It simply sends a thispoly message to the gen~ object on load. For simpler designs, the loadbang for thispoly~ can be inside the poly~ object, but if the gen~ code is more than about 500 lines it doesn't compile fast enough to receive the thispoly message before it fires. So now I send it a loadbang from the top-level patch.

Screenshot 2021-10-16 010341.jpg

The next stage of the conversion is to convert the gen~ object to read the 'programs' buffer instead of using params. When I got all the Param messages set up to work properly, I simply changed them all to History variables by changing 'Param' to History' in codebox.

Then each gen~ voice peeks the buffer object for its current channel and puts the values into the instantly created history variables. There's a reason to make them static History variables rather than simple variables: by interleaving the buffer peeks for each voice on a simple clock counting from 1 to 

, I was finally able to get the Buffer reads done for all 32 poly~ voices without causing a huge processor peak, and only adding a 0.6ms latency @48khz:

Screenshot 2021-10-15 182134.jpg

At first that may not look very efficient, but in fact Max processes audio I/O in chunks set by the DSP settings, so if it's set to 128, for example, all 128 buffer values for each voice are loaded into the cache at the same time. Programmatically, it would be cleaner if buffer peeks could load more than one value at a time, but as gen~ is compiled, the performance is quite good. the important thing is to keep all the peeks sequential. If you load the values from the buffers where you want them. rather than storing them as variables, the performance is terrible.

For MIDI output, I use a similar technique to the 'zl sub' example above with the output of the pattrstorage object. For MIDI input, a 'zl lookup' object uses the same list as 'zl sub' to create the name/value tuples, which may easily be sent to the panel objects with pattrhub if they are for the currently displayed channel, and which are simply poked into the 'programs' buffer to change playing voices.

Updating the panel to show different channels

So the big problem was how to display the panel controls for each channel. When I was first learning Max, I tried putting all the params for each channel in 'zl reg' objects each poly~ object. That REALLY didn't work. Then I tried making 16 separate panels for each MIDI channel. Updating them from pattrstorage drove me crazy. I tried doing dumps from pattrstorage for each channel and sending them as messages each time a voice switched to a new channel, and the coding for that drove me crazy too.

But I finally worked out to keep it entirely separate from pattrstorage, which doesn't even know there are separate channels, and simply saves and loads presets for whatever channel is currently displayed. When changing the panel controls for a different channel, I simply use a 'for' loop to peek the buffer and send 'set' messages to all the panel controls from JavaScript, using the same parameter list that stuffs index lookup values into the 'zl sub' object above. Piece of cake!

Screenshot 2021-10-15 201230.jpg

After I made a gen voice allocator, Cycling74 made a new voice allocator which may have fixed the problems with the original one. However, I still need to store the MIDI channel numbers with each note and send messages appropriately. So I amended my polyphonic voice allocator to support multiple channels in a matter of minutes. Here is the patch containing the voice allocator.

It also contains velocity shaping described at the end.

Screenshot 2021-10-15 230256.jpg

The gen voice allocator resets to the number of voices set by a negative value on the first input, or a note when a positive value is received on the first input. That simply avoided making it 'hot.' It also turns notes off on the attached kslider object when the available voice count is exceeded. the 'lastv' signal is used to update the display indicators from the last played voice on the currently visible channel, in javascript.

Buffer pch(), vel(), age(), chn();    // voice state buffers
History numv(0), vcnt(32), lastv(32), gcnt(1);
x, aoff = 0; 
chan = in3;
if (in1 < 0){                 // RESETS 
    for (i=1; i<=32; i+=1){
        vel.poke(0, i); 
        pch.poke(0, i);
        age.poke(i, i);
        chn.poke(0, i); 
    }
    numv     = 0;
    vcnt     = neg(in1);
    lastv     = vcnt;
}else if (in2 >0) {        // NOTE ON
    for(i=1;i<=vcnt; i+=1){
        x = age.peek(i);
        if(x == vcnt){
            if(numv==vcnt){
                if(vel.peek(i)>0){
                    out4 = pch.peek(i); 
                    //kb overflow update
                }
            }else{
                numv +=1;
                out4= 0;
            }
            chn.poke(in3, i);
            age.poke(1, i);
            lastv = i;    // last voice on
            out7 = in2;    // velocity
            gcnt += 1;
            out6 = in3;
            out3 = gcnt;    //gate out 0-1
            out2 = in1;     //fc out, Hz
            out1 = i;
            pch.poke(in1,i); 
            vel.poke(out7,i);
        }else{
            age.poke(x+1,i);
        }
    }
    p0  = in1;
} else if (in2 ==0){                    //NOTE OFF
    for(i=1;i<=vcnt; i+=1){
        if(pch.peek(i) ==in1 && chn.peek==in2){
            aoff = age.peek(i);
            pch.poke(0, i);
            vel.poke(0, i);
            chn.poke(0, i);
            for(j=1;j<=vcnt; j+=1){
                x = age.peek(j);
                if(x>aoff && x<=numv){
                    age.poke(x-1, j);
                }
            }
            age.poke(numv, i);
            numv -=1;        
            out6 = in3;
            out4 = 0;     //kb fix
            out3 = 0;     //vel 0
            out2 = in1;     //fr off
            out1 = i;    //voice off
            break;
        }
    }
}
out5 = lastv;

The result has no performance problem. On my 4Ghz 6700k i7, which admittedly is still a pretty good cpu, it only adds 2% to peek all 128 params into gen~ with it running at 48kHz with 256/64 dsp buffer sizes and 32 channels. It was interleaving the buffer reads across clock cycles for each poly~ voice that really made the difference, because otherwise that 2% becomes 64%. It just means a 0.6ms latency between param updates on channels, which actually is faster than the params are typically updated in gen~, which I'm told happens every 256 clock cycles, although I don't know if that's actually dependent on the DSP settings.

Screenshot 2021-10-15 210049.jpg

I hope you enjoyed the tutorial. Happy patching to you all )

This is part of a series of tutorials on the Husserl3 design. All tutorials in this series:
Designing a good LFO in gen~ Codebox:  https://c

MaxMSP Forum