Brodie Matthews

Hoping some one could spare some time and help me scale a presentation window , specifically for max for live.

I am whiling to pay you for your efforts.Msg or 

 me for details, i would be glad to hear what other options could be possible maybe zoom ? Thanks in advance.

Hi, 
Hoping some one could spare some time and help me scale a presentation window , specifically for max for live.
I am whiling to pay you for your efforts.Msg or mail me for details, i would be glad to hear what other options could be possible maybe zoom ? Thanks in advance.

Hi, 
Hoping some one could spare some time and help me scale a presentation window , specifically for max for live.
I am whiling to pay you 

looking-for-a-ui-script-that-will-scale-a-max-for-live-presentation-window

Not entirely sure what you want to do, but you can use the 'zoomfactor' message to thispatcher to zoom in/out in a patcher window:

The zoomfactor message doesn't seem to work on patcher windows instantiated via pcontrol. Or at least that's why I'm looking at this thread.

Try to add a little delay to the zoomfactor...

Hi, send me an email at contact.marco.accardi@gmail.com! We can discuss the project there.

Looking for a ui script that will scale a max for live presentation window

Raj Vadavia

we are building multichannel transmitter/ receiver we need programmer with expertise in MAX-8

we are building multichannel transmitter/ receiver  we need programmer with expertise in  MAX-8

looking-for-freelancer-programmer

Oiljobszone also advertises IT jobs and maybe you should try.

Maybe i can refer someone,what exactly are you  looking for.

Hi, 
I've just seen your post on this forum. 
Are you still searching for some expertise in Max for your project ?

Looking for freelancer programmer

Gert Wilden

I am new to this forum. After having worked professionally with LOGIC ( using LOGIC's Envirionment extensively ) for some 30 years, I also started working withg Ableton a year ago. 

I hoped, M4L would be something similar to LOGIC's envronment, just with more possibilities. 

But I found out pretty soon, that using and understanding M4L is way more basic and complex. You really havo to get into it...

And to be honest, I dont' t have the time for that right now, although I actually would like to be able to program my own stuff some day.

But for the moment I prefer asking some of you for help.

I wonder if there is somebody out there, who can program the following device for me: 

I would like to have a program switcher, which lets me select and switch up to 128 Presets via MIDI program change AND INDICATES THE ACCORDING PRESET NAME in a window, so that I know what I am selecting without having to open the PlugIn (because this might be messy in a live situation...)

I don't expect the device to fetch those names automatically by itsellf from the plugin. 

I rather thought of beeing able to import or copy those names from any kind of external text or databank (or from the Finder) into a table which is intergrated in that device (as you can do with Logic's program change tables)

The presets should be selectable either via a Menu on the screen (showing a list with all names), via up / down buttons (MIDI adressable) and directly via MIDI program change, executed from an external keyboard.

Please let me know, if this is possible for anyone, and what you would charge for this.

(or does such a device possibly already exist somewhere?)

I am new to this forum.  After having worked professionally with LOGIC ( using LOGIC's Envirionment extensively ) for some 30 years, I also started working withg Ableton a year ago. 
I hoped, M4L would be something similar to LOGIC's envronment, just with more possibilities. 
But I found out pretty soon, that using and understanding M4L  is way more basic and complex. You really havo to get into it...
And to be honest, I dont' t have the time for that right now, although I actually would like to be able to program my own stuff some day.

But for the moment I prefer asking some of you for help.
This is my question:

I wonder if there is somebody out there, who can program the following device for me: 
I would like to have a program switcher, which lets me select and switch up to 128 Presets via MIDI program change AND INDICATES THE ACCORDING PRESET NAME in a window, so that I know what I am selecting without having to open the PlugIn (because this might be messy in a live situation...)

I don't expect the device to fetch those names automatically by itsellf from the plugin. 
I rather thought of beeing able to import or copy those names from any kind of external text or databank (or from the Finder) into a table which is intergrated in that device (as you can do with Logic's program change tables)
The presets should be selectable either via a Menu on the screen (showing a list with all names), via up / down buttons (MIDI adressable) and directly via MIDI program change, executed from an external keyboard.

Please let me know, if this is possible for anyone, and what you would charge for this.
(or does such a device possibly already exist somewhere?)

Thanks for your feedback
Gert Wilden


Hello,
I am new to this forum.  After having worked professionally with LOGIC ( using LOGIC's Envirionment extensively ) for some 30 years, 

program-switcher

send me a mail doubleUG@gmx.de if you want,  to discuss the the names inport. 

that is very easy one, once one gets preset names to store with live set ...

If you read text file containing preset names, that will then get stored as dict
in live set.
Only missing thing would be what midi event shoud trigger next message...


funny how logic users always think that VST plug-ins have midi controllers for all parameters or that they would support midi program change. :)

Hey guys, thanx a lot for your reactions! @Roman: I am using AU-PlugIns rather than VST. But there are many products which OF COURSE support midi PG-change. Think of all u-he products, the applied acoustics stuff, most of NI as well. They all offer a bank which can be individually filled with up to 128 presets of your choice and can be selected in many ways. Be it via a software button from the host, be it from an external MIDI device, be it even from an ABLETON clip.
I presume this should be true for the according VST versions of those PlugIns  as well...

What I meant in terms of LOGIC (I don't know how familiar you are with that program):
In LOGIC's environment you can easily create are software switcher to adress MIDI PG-Change. It can be switched by a 128 entry table. That table can optionally behave as a table or as a menu and it can be filled with program names from any text file. Hence you can select  presets BY NAME.
In LOGIC this is done in literally no time. And I am sure, a M4L guy can do this in very short time as well.


hm, but even if a plug-in supports program change you can not count on host programs that this is the way how it would normally talk to the plug-in.

in logic it was the other way round during the first 10 years of VST: it would _only use midi and translate it to VST parameter values, where proper VST hosts would use VST but then sometimes it was a bit difficult to remote that using midi.

note that at that time, only instruements had MIDI support for their parameters, 95% of the effects werent using it at all, even if targeted to VST 2.1. but for logic users... they didnt see this difference. that is what i was making fun of. (or trying to)

now that we have both methods on many plug-ins ... more confusing than a progress if you ask me.

i am not a m4l user so i cant tell you if the live API will easily tell you about the presets names, but i would guess yes. what always works is to make a live device which hosts the VST or AU plug-in, then you can get the list of presets names from the vst~ object (aand also a list of parameter names for that matter) and so with it what you want, inluding sending it to a custom controller device from where you remotely control all your plug-ins and presets in the fashion of NI kore.


Program Switcher

Otger Kunert

we are a little company from Munich, focusing on utilities and facilities for sound recording studios. Beside this products we developed an application for sound designers and musicians with mainly context of reproducing Foleys and experimental sound design. This app uses Leap Motion as gesture controlling interfaced . To expand the functionality of this app, we are searching an advanced "max head", who is experienced in concatenative synthesis with audio streams. Preferably based in Munich or Germany, but not necessary. If you are interested in this project, I am looking forward to hear from you.

Hello,
we are a little company from Munich, focusing on utilities and facilities for sound recording studios. Beside this products we developed an application for sound designers and musicians with mainly context of reproducing Foleys and experimental sound design. This app uses Leap Motion as gesture controlling interfaced . To expand the functionality of this app, we are searching an advanced "max head", who is experienced in concatenative synthesis with audio streams. Preferably based in Munich or Germany, but not necessary. If you are interested in this project, I am looking forward to hear from you.
Thanks
Otger

Hello,
we are a little company from Munich, focusing on utilities and facilities for sound recording studios. Beside this products we develo

granular-mixer-concatenative-synthesis

@Marco....yes, still open. Which skills do you have, which experiences in concatenative synthesis with audio streams? The project can bee downloaded for free here: https://store7881576.ecwid.com/Foleydesigner-3-5-5-Bundle-for-Mac-p80710334

Hi, there is a good Max/MSP library for concatenative synthesis and I have 10 years experience using max. Please send me an e-mail with more details about the project at contact.marco.accardi@gmail.com

Granular mixer - concatenative synthesis. 

David Clements

Am i going mad? Why is this patch creating more than one bang for each timepoint? It's doubling most, but not all, and sometimes tripling for me.

Please can someone check that it's behaving the same way for you?

Yes, i can use [change] to fix it. But i'd like to understand why it's happening..

Hi.
Am i going mad? Why is this patch creating more than one bang for each timepoint? It's doubling most, but not all, and sometimes tripling for me.
Please can someone check that it's behaving the same way for you?
And if so, can anyone explain why?
Yes, i can use [change] to fix it. But i'd like to understand why it's happening..

Hi.
Am i going mad? Why is this patch creating more than one bang for each timepoint? It's doubling most, but not all, and sometimes triplin

timepoint-multiple-bangs

It worked correctly for me - single bang per timepoint. Is your global transport set up for 4 beats to the bar?

Also, is there a reason you've used so many timepoints - otherwise, you could achieve the same result with a single metro and  a counter.

Thanks Nick.
How strange. Yes the global transport is set up right. At least i think so... images attached
Yes, it needs to be driven from the transport, i just pasted a very small part of a much larger patch. 
Thanks for checking that for me... I'll explore further. 


timepoint is very dangerous because you have no easy control over order.

What else do you suggest for syncing from transport? 
I guess i could get the bars/beats and write a patch to convert that to 64 numbers?

something like metro or clocker, where you have all desired positions in one stream.

I guess i could get the bars/beats and write a patch to convert that to 64 numbers?

Any thoughts on how to get swung 8notes (320 ticks) to add to that count? So...

1 = 1. 1. 0
2 = 1. 1. 320
3 = 1. 2. 0
4 = 1. 2. 320 etc.

You need rawticks output, divide by 160 (8nt = 160 ticks, note length you are after)
and then add first and last note in the triplet per beat.


Here is my patch from above, also counting the swung eighths. Basically its just multiplying the current value by two, and adding the transport units divided by 320. As this is done in integer division, it will be 0 before 320 ticks, and 1 after it;

Can i ask a couple of questions about it, just to understand better, so i can incorporate into my patch...

1, What does the "transport state" outlet actually do? It seems to just send 1's with every tick. What is it? And why does it need to control a gate when it only ever sends "1"? 

2, So when you do @clocksource internal, what is that telling the transport? Presumably just saying that max controls the clock, doesn't it do that automatically? My main transport is already governing tempo, this one will be slaved to it so i can remove the tempo controls you added, but should i make my main transport "@clocksource internal"? 

3,  The start/stop/pause stuff is already being governed elsewhere, so i don't think i need that, but unsure about the trigger which is resetting a few object when it gets zero. I hooked this patch up to a makenote quickly and controlled it from my transport, (i.e not using your toggle and not sending zeros to that trigger) and it seemed to make no difference except maybe it's creating a flam when the transport loops back to bar1?

An easier way to understand what i'm saying - if you open the pasted patch below, and use the toggle i've created to switch it on/off, instead of your toggle, can you forsee a problem that the trigger is not recieving zeros? I think it might be double-generating the first note on "1", sounds like a flam. 

4, i'm still using one timepoint -  to loop the track back to bar1. When it gets to the variable loop point *See pic. Can you think of a better way to have a variable set the loop point without using [timepoint]. 

Also, last question, not just related to your patch, but i problem i've been having since i stopped using [timpoint] to create the beats - when i rewind (send zero to transport), it plays the first note on my patch as if it's playing bar1beat1, and then because of [change] the 1st note doesn't sound when i do press play. Is there a way to set the transport position without output? I tried "set", doesn't work. 
My solution has been to 'rewind' to -1 which still sends a note, but allows the first beat to play properly. That works, but it's ugly, and becomes difficult when i'm locating transport to particular bars other than just rewind. 


swing.... basically by putting an LFO on the clock speed... or you implement a delay for every number... and the delay times are bound to the number...

Your problem with retriggering of stuff when reset is usual
problem with counters, when one expects them to do something on "first"
beat, but same happens if one resets transport to beginning.
Transport state is NOT only sending "1" but also zero when stoped.
That said, I never use transport, and if I have to group notes by ticks,
then I use absolute tick count, ignoring any time signature.

That's why expression using transport's bar, beat, ticks
as in Holme's patch would fail, if one changes form 4/4 to 6/8
while running.
----
If you use that patch I posted it will not produce any flams and 1st  beat will allways
make a note.
Next question about loopin certain amount of bars or beats.
Transport is NOT a thing to loop, not for me anyway.
You can use modulo set to as many beats you want
and loop the count.

Not sure how to quote reply on this forum, but thanks Nick. I'm sure Source is right about time sigs, but as i'm currently only in 4/4 (so far...), this might work nicely for me as a simple solution. 

Thanks again Source.
I see what you mean, so best to have the transport just running endlessly and modulo the bars or count to avoid sending it back to 0 on loops. That might solve my flam. I didn't think it was coming from your patch, but from the loop being created by the [timepoint], or me not using the trigger in your patch, so i'll experiment on that as suggested and should fix it. 

Weirdly, i'm definitely not getting a zero from that transport state. But i do get one from other transports in the patch. Maybe a max bug.


I'd happily dump transports entirely from this patch, but not totally sure i understand what you're suggesting as a replacement. I'm only using transport for stop/start/goto/tempo controls, which then triggers a count (as you know). So if that could be replaced by something else that'd be cool.

Haven't checked out the "dirty patch" XD yet, but will do tonight. 

Update, i get a zero, if i use the toggle directly on that transport. I don't get a zero if it's not that particular transport that was stopped. Strangely this isn't true of other transports which send a zero regardless of which one was stopped. Perhaps this is something to do with the clocksource argument?  

Tried to make a version of [timepoint] that will follow a modulo of the bar count rather than actual transport position (so i don't have to loop transport - which is also inconsistent & creates flams).

Made something, but doesn't work. I dunno if the ticks are going past too fast for [zl compare] to pick up or what? But it's not working.

If i'm not looping transport, i need an alternative to [timepoint] because [timepoint] will expect a bang on e.g 33, when it's actually coming at 1 because of the modulo. 

In the patch below, you should be able to choose one of the three timepositions on the right, and have them bang their position when the timeposition happens, but it works only occasionally for me. 

It is not allways easy to give ideal answer, in first place
in not knowing what exactly is the goal of the project.
If really all you need is to run swing eight notes ,
count and loop them, than you can get away with only few objects.
no transport at all.
For example :
run tempo or metro set to eight notes, trigger counter set to
loop for wished amount of numbers, delay every 2nd number by swing amount using pipe.



If you want to get 1 1 0 from transport you must stop the metro.
and remove @active 1 attribute.
I hope you understand why.
And then start/stop  metro and transport using toggle.
-------
In the patch you posted transport will never output 1 1 0

Here is a patch with transport which has own name as well as metro so that no different
transpost disturbes it.
Proper reset when stoped.
As you dont use raw ticks really, ticks in beat have been connected instead.
and better collection into list using pack and following
zl objects to avoid repetitions.
Everything has it's reason.

Here is patch that does what you tried,
and another option using match object


Hi David, with specific reference to your patch above not working as expected, its seems due to a typo in the metro, which should be [metro @interval 1 ticks @active 1] (note the @ before "interval"). As it was, the metro was running at the default interval of 5ms, which around 5 times longer than a tick at 160 bps, so [% 480] was only ever reporting 0 by luck or patience!

I hope that clears up that specific question, but more generally to this thread, I can only agree with what Source Audio is saying.

Thanks everyone, this forum really is invaluable.

Doh, yes, i missed the @. Thankyou Nick and Source.

It's tricky coz the patch is really big (at least it's by far the biggest i've ever worked on) and requires external stuff, so i can only paste bits - i understand it must seem a bit confused, and appreciate your patience and help. 
One part of it only requires swung 8ths which is what i was initially asking about, but other parts (following the same overall time) need timepositions down to the tick.  The former part I have working really solidly now, no longer needing to loop transport or use timepoints. The latter - which is basically a straight replacement for timepoint, but using a modulo on bars so it doesn't get confused by the transport not looping, should now work too with the typo fixed and using some of Source's additions for stability in last posted patch.

So basically, i think i'm good now - thanks for that. But one last thing, to answer Source "i hope you know why" in reference to the "active 1". No, the truth is i don't know. I'm reasonably down with all the transport attributes, but i don't get that one. I've looked on the reference and the help file, but neither mention it specifically. I assume it relates to the clocksource, but i can't find info on how. It would be useful to know if it affects a situation like mine where i'm running several transport objects together.  

Finally, i totally see the rationale for working with raw ticks, and it's something i ought to get clearer about how to do effectively and use in my patches, but yes, for the moment i'm ok with 480 ticks just to get moving on this patch which i've been working on since May! Maybe i'll update later. 

metro with @active 1 runs as soon as transport starts,
any transport, if one did not bind it to some named transport.
That can cause unwanted bangs coming out.
I prefer a trigger with clearly organised order of execution,
so that one can stop the metro and transport,
then reset transport to set ticks
or any other order needed to avoid flams and double or
unwanted triggers.
------
If you really need to use transport I would use named
and isolated one , and also metro for it.
And a single one, if all has to run in sync.
You can grab all outlets and treat them separately for different
divisions and outputs.


Thanks Source. 
V informative.
So you're saying that only a single instance of [transport] should be used, and then use [s] and [r] to send that to different parts of the patch? 

As for naming it, I'm only using one (un)named transport, just multiple instances of it,  so it's only annoying when i open a help patch and it changes the tempo or something, but yeah, i can do that too. 

TBH, i still don't really understand what you mean about not using [transport] at all. Do you just count ticks off a metro? Surely that still needs a [transport] to think in terms of ticks or beats etc?  How do you generate musical time without a transport? 

I don't know your main patch, and so can' really make exact suggestions.
I just opened once one patch you posted and mentioned loads of
timepoint objects in a sub patcher.
I would never do it so.
------
Making bars/beats/subdivisions out of metro - counter stream is a trivial task.
If one needs full tick resolution, then 1 tick metro.
If one knows that for example smallest time division would be 16th note,
than I'd rather use metro set to 16th note interval.
Simple, isn't it ?
then run dividers modulo to whatever divisions and counts.
-----
Now back to timepoint.
coll object is a perfect one to use instead.
you either store absolute time in ticks as indexes,
or bar/beat/ticks as symbol.
Depends a bit on what you really need.

coll example
1.1.0, 1;
1.3.240, 2;
3.1.320, 3;
etc
one needs to use symbol as index, so either
1.1.0 or "1 1 0"
When bar counter reaches any stored index, coll will output data in that line,
could be cues, or note values , anything.
coll can embed stored stuff in the patcher, or load file from disk,
to recall different sequences etc.
------
Option using absolute time in ticks
0, 1;
1920, 2;
2760, 3;
etc
One would need to calculate bar-beats-units to ticks.

Stupid thing with bar beat counter is that elapsed time count is 
in reality 0 0 0 for the very beginning, so that when one calculates
ticks in for example 7/8 , position 6 3 0 it
would mean elapsed 5 bars, 2 beats and 0 ticks.
Evan that translate object linked to transport
shit - it does not work without transport ! for any tempo and timesig conversions
would output 2400 if one inputs 1 1 0 in 4/4 bar.


And all that is reason I really refuse all that transport - translate stuff
and prefer to make calculations using standard objects.
In Max 6 I remember sending timesig messages to both transport and translate
in same patch made transport go nuts, really shity.
never used that stuff again.
------
Back to number of transports in the patch,
I would prefer to have only one, and to send output to all needed destinations.
One can use bar beat or raw ticks output at same time,
and divide, loop or whatever localy at destination points if needed.
here is one example patch


timepoint multiple bangs

Andy Fennesz

I'm getting this error, and the Console is pointing me to relatively simple objects and patch aspects: add, subtract, sig~, selector, etc. Infinite recursion is a loop, right? I can't fathom where a loop is happening. Like one of the problematic sig~ objects is literally just monitoring an oscillator output.

Also, sometimes the Console locates the problematic object for me when I click the message, but sometimes it doesn't seem to highlight anything. How do I locate the object in the latter case? Thanks for your help.

I'm getting this error, and the Console is pointing me to relatively simple objects and patch aspects: add, subtract, sig~, selector, etc.  Infinite recursion is a loop, right? I can't fathom where a loop is happening.  Like one of the problematic sig~ objects is literally just monitoring an oscillator output.

Also, sometimes the Console locates the problematic object for me when I click the message, but sometimes it doesn't seem to highlight anything.  How do I locate the object in the latter case?  Thanks for your help.

I'm getting this error, and the Console is pointing me to relatively simple objects and patch aspects: add, subtract, sig~, selector, etc.  

msp-object-inputs-not-satisifed-likely-due-to-infinite-recursion

can't tell for sure without seeing the patch, but i have a feeling you're making a common mistake:
sig~ doesn't take signals... it only takes events and turns them into signals; use 'snapshot~' to monitor an oscillator output(i assume the 'oscillator' in your patch you mentioned is a sample-rate/signal one, this could cause problems if sig~ is turning a sample-rate signal into a sample-rate signal... or if you were hoping to use its output for something that expected events while it only outputs a signal, etc..)...

also, in that latter case you mentioned, not much else you can do... recursion can make error reporting go by too fast to properly report the exact point of a problem(luckily it's very difficult to run into recursion without it being an instant problem upon making the one wrongful connection, so usually you just need to remember only a few of the last steps you took or undo up to the point it stops complaining).

MSP object inputs not satisifed, likely due to infinite recursion?

I started porting some supercollider ugens to maxmsp. Most of them are noise generators, included is the sc implementation of the stochastic synthesis generator gendy conceived by Iannis Xenakis.

It is mac, max 5 only so far. But since this code is gpl'ed you can fork the project on 

Hello,
I started porting some supercollider ugens  to maxmsp. Most of them are noise generators, included is the sc implementation of the stochastic synthesis generator gendy conceived by Iannis Xenakis.

It is mac, max 5 only so far. But since this code is gpl'ed you can fork the project on github and I'd happily submit a windows port.


sc-max-supercollider-library

Just like to express thanks for this-- will you be porting more ugens (and can I put in a special request for klang and klank)?

I will port some more ugens specially some filters. Not too sure about klang/klank though: oscbank~ and resonators~ (from CNMAT) do the job good enough for me.


This is wonderful!! Thank you very very much.
It will be really nice to see more and more coming!
No more udpsend one day?? a dream...
GrainFM, TGrains.. are on your to do list?

"I started porting some supercollider ugens to maxmsp."

haha, wonderful, danke. i cant wait to kinkosc in my bpatchers :) ... and i am curious about the CPU usage.

Very nice. Finally Gendy in MaxMSP. Thanx for the porting and sharing!!!!


what seems to me a bug (and i am not enough programmer to go and fix it):

when using multiple sc.dust~ or sc.dust2~ objects, the instances produce identical signals after the patch is reloaded. seems they get the same random seed.
two sc.gendy~ objects, or vanilla max noise~ objects *do* correctly produce different signals for each instance.

Has anyone ported these externals for Windows yet?

https://cycling74.com/tools/sc-max-windows-port-of-some-supercollider-ugens-to-maxmsp/

very nice thanks to all for sharing these I have been having a lot of fun with them.


hello, any chance to get a 64bits version ? thx a lot.


@FP hey, you could be lucky. just pushed a 64bit update on github.https://github.com/v7b1/sc-max/tree/64bit_update
don't know if or when the original author will merge and make a new release.
if you want to try a preliminary built for osx, let me know.


oh thx a lot; actually I'm back to 32bits because of some annoying bugs in Ableton Live and a performance soon. but for sure I'll check it asap. best.


Hi all. The link above for the 64 bit version doesn't seem to be working. Does anyone have a working link for the 64 bit version of the SC externals? Would love to be able to use these in Max! Anyway, thanks in advance.


sorry, i did the 64bit version for my own purposes and made the sources available in case someone wanted to work with this. In the meantime the original author of the lib apparently is working on an update himself (which you can follow on github), so I took my stuff down again.


Hi all,
you can get the new mac 64 binaries here: https://github.com/sbl/sc-max/releases/download/1.0.0/sc-max-1.0.0.zip .

Source code etc is at https://github.com/sbl/sc-max .

To the c74 team - I used the latest cmake based build system and new max api for this. I have to stay this is quite a big pleasure to work with.

Somewhat off-topic but does anyone know of similar projects or repositories for sc to gen~ ?


Yes it could be great to port it to gen~. I would like to make by myself but I can't achieve it… :-(

Anyone know if this is still available anywhere?

It's there on Github but you need to compile it yourself...

Anyone know if this is working with max 8 ?

I'm using the already compiled version for MacOS, and it works fine with max 8.0.6 here.

Perhaps I did not place it right ?
I placed it in the Library Folder of Max. 
Should I put it in different location?

Hi, I'm looking for the Windows (mxe) version and/or Gen. If somebody have it... Please. :-)

sc-max supercollider library

Ben Bracken

We are happy to announce the release of Max 8.0.3. This update is limited in scope and focuses on regression bugs, follow throughs on a few Max 8 features, and issues related to Max For Live. Take a look at the change log below, and, as always, you can download the installers here:

• mc.plugin~: @chans attribute (like mc.plugout~)

• dialog: fixed colors of Windows version (follows Theme)

• jit.cellblock: fixed crash on clear all when using refer to coll

• jit.gl.slab: fixed crash when opening text editor with shader that has errors

• Jitter: fixed crash when processesing XML

• Max For Live: fixed MIDI output after opening device in editor

• node.script: improved finding .js files in amxds

• regexp: fixed intermittent crash with empty symbol replacement

• scope~: fixed issues with intermittent drawing

• signal probe: fixed potential crashes if object is deleted

• sqlite: fixed db errors when using certain characters in an object box

• vst~: fixed right channel input for some plugs

• vst~: generic controls are visible in presentation mode

We are happy to announce the release of Max 8.0.3. This update is limited in scope and focuses on regression bugs, follow throughs on a few Max 8 features, and issues related to Max For Live. Take a look at the change log below, and, as always, you can download the installers here: 

New Features:
• mc.ifft~: added MC version
• mc.plugin~: @chans attribute (like mc.plugout~)

Fixed Bugs:
• dialog: fixed colors of Windows version (follows Theme)
• jit.cellblock: fixed crash on clear all when using refer to coll
• jit.gl.slab: fixed crash when opening text editor  with shader that has errors
• Jitter: fixed crash when processesing XML
• Max For Live: fixed MIDI output after opening device in editor
• MC Wrapper: accepts ints in inlets
• mc.dac~ arguments no longer ignored
• mc.gradient~: fixed crashes
• node.script: improved finding .js files in amxds
• regexp: fixed intermittent crash with empty symbol replacement
• scope~: fixed issues with intermittent drawing
• signal probe: fixed potential crashes if object is deleted
• sqlite: fixed db errors when using certain characters in an object box
• vst~: fixed right channel input for some plugs
• vst~: generic controls are visible in presentation mode

We are happy to announce the release of Max 8.0.3. This update is limited in scope and focuses on regression bugs, follow throughs on a few 

max-8-0-3-released

Hello Ben, unfortunately the Closebang object still does not work if it is in a subpatcher. (Max For Live) Reported on December 10th

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Hello! It was mentioned in release note that few jit. objects are no longer supported. Is there any new objects to replace them?

This list of unsupported objects is not new. Compare it with the (almost) the same list in Max 7 release notes: http://cycling74.s3.amazonaws.com/support/version_7_0_0.html. Around five years ago Max switched from QT engine to AVF engine, leaving several 32-bit objects not supported. No, there is no direct replacement for them, but most of their functionality is covered by other objects. 

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 Many thanks for letting us know about the news of the release of Max 8.0.3 which has come up with many useful updates that lessen regression bugs and scope and focuses on it.

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Hi Ben ) would you be able to assure me that 8.0.3 will mean the audio outputs from mc.dac~ will show up in the audio status I/O mappings window on Windows 10? I was able to get this working with a regular dac~ for a rewire client when I was experimenting with it five years ago, but now I finally have a multichannel design almost done, I suddenly find the outputs don't show up even with a regular dac~ object. All I get are outputs 1 and 2 from a regular ez.dac~.  I thought even with a 2-channel audio driver I should be able to select which two from those available with the mapper. Am I doing something else wrong? I don't think I got stuck on this the last time, but I can't remember. 


Well in 8.2 I find the regular dac~ is working in the example below, and that there are now 1024 mappable destinations, but symbols no longer name the virtual channels, and instead route the audio to the hardware mixer's channel zero. But I can get the audio channels mapped out, which is what matters. Thanks for the update )

Max 8.0.3 Released

Michael Begg

I have a dict populated by a call to a JSON API - and within it there are sub dicts.

I can access keys and values in these sub dicts using get messages, double colon syntax and square/array brackets, and a simple get message on the key in which the nested dicts are located shows me that there are multiple dicts in there, each with its own identifier (see attached pic).

Screenshot 2020-05-21 at 11.35.58.png

But so far as I can tell the only way to access the information is through get messages.

Is it not possible to have the dict spit out the nested dictionaries as dict objects?

Am I missing something?
I have a dict populated by a call to a JSON API - and within it there are sub dicts.
I can access keys and values in these sub dicts using get messages, double colon syntax and square/array brackets,  and a simple get message on the key in which the nested dicts are located shows me that there are multiple dicts in there, each with its own identifier (see attached pic). 

Am I missing something?
I have a dict populated by a call to a JSON API - and within it there are sub dicts.
I can access keys and values in

Cycling '74 Forums

We are happy to announce the release of RNBO 1.3.0, available now for download via the Max Package Manager. With this update, we are...

We are excited to announce the availability of our Eventide package for RNBO as a public beta. We’ve worked closely with Eventide to...

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Hi, send me an email at contact.marco.accardi@gmail.com! We can discuss the project there. www.anecoica.net

Hi, send me an email at contact.marco.accardi@gmail.com! We can discuss the project there. www.anecoica.net

Hi, there is a good Max/MSP library for concatenative synthesis and I have 10 years experience using max. Please send me an e-mail with...

I don't know your main patch, and so can' really make exact suggestions. I just opened once one patch you posted and mentioned loads...

can't tell for sure without seeing the patch, but i have a feeling you're making a common mistake: sig~ doesn't take signals... it only...

Hi, I'm looking for the Windows (mxe) version and/or Gen. If somebody have it... Please. :-)

there are 1024 outputs in max v.4, too.

This will do what you want. -T

Thanks Yaniki! As someone who mostly works in visual programming the dict object is quite aloof, and the documentation is quite scarce so...