chapelier fou

Vinyl_Player 2.00.maxpat

I'm working on an interactive installation where a turnstile is equipped with a sensor outputting its absolute position in the range [0. 1.].

One thing I'm struggling with is the attempt to make it act as a vinyl deck. Attached is a simple patch illustrating my idea that contains a simulation of the physical turnstile.

At least two things could be currently improved :

2. The ability to "densify" the audio file across the turnstile position. In other terms, to get smaller movements having a more drastic effect. The resolution of the encoder will be 360 steps.

I'm working on an interactive installation where a turnstile is equipped  with a sensor outputting its absolute position in the range [0. 1.].
One thing I'm struggling with is the attempt to make it act as a vinyl deck. Attached is a simple patch illustrating my idea that contains a simulation of the physical turnstile. 

At least two things could be currently improved : 

1. The "vibrato" effect
2. The ability to "densify" the audio file across the turnstile position. In other terms, to get smaller movements having a more drastic effect. The resolution of the encoder will be 360 steps. 


 
Hi there, 
I'm working on an interactive installation where a turnstile is equipped  with a sensor outputting its absolute position in th

help-with-a-patch-simulating-vinyl-deck-type-audio-playing

Help with a patch simulating vinyl deck type audio playing

👽It W∆s ∆lienz👽

this was generated from another all-in-one patch i made(will keep the patch to myself a bit to make an album from, then share later), thought folks might get a kick out of hearing the live.step default MIDI sequence like this, and see the default GL texture dancing to it:

synthesized/generated entirely in max/msp<br />
the default sequence of the live.step object was used for the pitched material of the music(also, the visuals use the default jit.gl.texture as their basis)

petSeviL

also, here’s an extended audio version(i can’t do vid and audio with audio at 96k, only with audio at 48k(my comp is too slow), but synthesizing these sounds end up much more rich at 96k, so i created this separate version to appreciate that, even though soundcloud only allows 48k, it still carries the sound of the higher-sample-rate synthesis):

(Thanks @Cycling74 for making such beautiful music☝️)

this was generated from another all-in-one patch i made(will keep the patch to myself a bit to make an album from, then share later), thought folks might get a kick out of hearing the live.step default MIDI sequence like this, and see the default GL texture dancing to it:


also, here’s an extended audio version(i can’t do vid and audio with  audio at 96k, only with audio at 48k(my comp is too slow), but synthesizing  these sounds end up much more rich at 96k, so i created this separate  version to appreciate that, even though soundcloud only allows 48k, it still carries the sound of the higher-sample-rate synthesis):


(Thanks @Cycling74 for making such beautiful music☝️)
🤘🍻

this was generated from another all-in-one patch i made(will keep the patch to myself a bit to make an album from, then share later), though

riffing-off-cycling74's-defaultz

riffing off Cycling74's defaultz

Kenneth Newby

A table of Bessel functions describing the evolution of carrier and sidebands as the modulation index changes was reverse engineered as an interactive interpolating system controlling a bass trombone playing the carrier and twelve brass instruments playing one of the first twelve sidebands for a set of twenty-five carrier-modulator ratios for a frequency modulation synthesis.

A table of Bessel functions describing the evolution of carrier and sidebands as the modulation index changes was reverse engineered as an i

silhouettes-modulations-and-visual-music-for-13-brass-players

so very beautiful :) 
thanks for sharing!

Amazing work! Has a breathing a charcoal / conte vibe!

Thanks! I neglected to mention that the animation is based on an L-system, and realized with Processing. Many lines, some linear, some animated Bezier, to a depth of 12 or more hierarchical levels. The large movements are the result of modulating the angles in the rule set.

silhouettes - modulations and visual music for 13 brass players

Brico

I'm trying to get the current arranger play time in ms to be able to sync an external visual system.

I can't figure out how to do it! I saw Song.current_song_time but the output is strange. It seems to correspond to approximately 2 x the current seconds, compared to time in the UI. It does however react to the tempo, which is what I need.

What is current_song_time, and can I use it to get the actual play time respecting the tempo automation? If not, how do I do that?

I'm trying to get the current arranger play time in ms to be able to sync an external visual system.
I can't figure out how to do it! I saw Song.current_song_time but the output is strange. It seems to correspond to approximately 2 x the current seconds, compared to time in the UI. It does however react to the tempo, which is what I need.  

What is  current_song_time, and can I use it to get the actual play time respecting the tempo automation? If not, how do I do that?

I'm trying to get the current arranger play time in ms to be able to sync an external visual system.
I can't figure out how to do it! I saw 

live-api-current_song_time-returns-strange-results

LOM says  current_song_time gives the time in beats.

New Live Sets default to 120 BPM, which is probably why you are seeing 2 beats per second.

Live API current_song_time returns strange results

Zack

I'm currently making my first max for live device which has some buttons (live.text objects). I have assigned keybinds to these buttons so that when I press a key, the button will be clicked. The issue is that every time I press a key, the 'toggle state' of the button is switched (toggling the button state between highlighted and not). This causes the buttons to remain highlighted after I press the keybind (you can see in the picture that half of the buttons are highlighted since they were recently pressed).

max for live buttons issue.png

Not only does this look wrong, but it causes some unexpected behavior sometimes (such as causing all highlighted buttons to be clicked automatically if I click the edit device button, for example). I think this functionality comes from the fact that if you use the button with your mouse, then it is only highlighted while the mouse button is held down (and unhighlights when you release the mouse). But the whole point of this device is for me to use keybinds to trigger max for live actions. (Note: all of these live.text objects are in the 'Button' mode).

Any tips for how to solve this, so that they won't get highlighted every time I activate them with a keybind?

Not only does this look wrong, but it causes some unexpected behavior sometimes (such as causing all highlighted buttons to be clicked automatically if I click the edit device button, for example). I think this functionality comes from the fact that if you use the button with your mouse, then it is only highlighted while the mouse button is held down (and unhighlights when you release the mouse). But the whole point of this device is for me to use keybinds to trigger max for live actions. (Note: all of these live.text objects are in the 'Button' mode).

Any tips for how to solve this, so that they won't get highlighted every time I activate them with a keybind?

I'm currently making my first max for live device which has some buttons (live.text objects). I have assigned keybinds to these buttons so t

problem-with-keybinding-buttons-on-device

If anyone ever finds this and needs an answer, I found a hacky solution to solve it for now, from this thread: https://cycling74.com/forums/making-live-button-behave-as-momentary/replies/1#reply-5df81a7e0489637bed3203a1
Basically I took the solution from that thread, which immediately unhighlights a button after it is pressed. Then I made a patcher from it, and hooked all of my buttons up to that same patcher on both inlets and outlets. Although if anyone clicks the button and holds it down, releasing the mouse will also cause the button to fire which is unintended (although this doesn't bother me since the whole point of the button is to keybind, so I never use mouseclicks).
Here is the patcher:


This solution is pretty messy though (needs two connections to every button on the interface), so if anyone knows a better way please let me know.

Problem with keybinding buttons on device

Christopher Poovey

I am working on a modulation dial that has a value and deviation that can be assigned to one dial and would like to allow users to type in a number when it is hovered over, or better selected, similar to the interaction with live.dial. I have seen some instances where the js scripts a bunch of max objects to get input, but I was hoping there was a more elegant solution.

I am working on a modulation dial that has a value and deviation that can be assigned to one dial and would like to allow users to type in a number when it is hovered over, or better selected, similar to the interaction with live.dial.  I have seen some instances where the js scripts a bunch of max objects to get input, but I was hoping there was a more elegant solution. 

I am working on a modulation dial that has a value and deviation that can be assigned to one dial and would like to allow users to type in a

jsui-keyboard-input

JSUI Keyboard input

joelsquare

I'm returning to Max/MSP after a long hiatus and I'm excited to see how things have improved. I'm slowly remembering things and it's been super fun.

I'm trying to wrap my brain around gen~ and I'm making progress, but I'm stuck on something that is probably extremely basic and straightforward - I just don't know the words to use to search for an answer!

Is there a way to have a coll-like function in gen~? I want to input a number, and have it return a different number based on the first.

So, much like if you had a Coll with the internal list of:

Inputting "1" returns a "55", inputting "2" returns, a "78", and inputting "3" gives you a "99".

Is there a way to do this in a gen~ object?

Could some kind soul either explain this or even nudge me to the right tutorial/reference?

I'm returning to Max/MSP after a long hiatus and I'm excited to see how things have improved.  I'm slowly remembering things and it's been super fun.

Is there a way to have a coll-like function in gen~?  I want to input a number, and have it return a different number based on the first. 

Hi All,
I'm returning to Max/MSP after a long hiatus and I'm excited to see how things have improved.  I'm slowly remembering things and it'

lists-within-gen~

Is there a way to do this self-contained within gen~?  It doesn't need to be dynamic - I'm hoping to create a reusable gen~ that consistently returns the same values in response to various numbers - no need to edit them.

I guess what I'm asking is "do the values in a buffer or data object need to come externally or can they be permanent from within the gen~ object itself?"

you can write values to a Buffer in Gen~ with "poke"

Thank you!  I will look into this further.  I greatly appreciate your responses!

Yes -- if you want to access (read or write) external to gen~, use a [buffer~] (Max) and a [buffer] (gen~), giving both the same name. 

If you want it to be entirely self-contained in gen~, use [data].  It behaves mostly the same as [buffer], but you declare the name, length in samples (and optionally, number of channels) in the object, e.g. 

[data mydata 512]   // creates a local data store of 512 samples
[data mydata samplerate*10 2] // creates a local data store long enough for 10 seconds of audio, and stereo. 

You can read/write to buffer and data using the same operators. To write, normally use the [poke] operator. To read, use [peek] for sample-based indexing, [sample] for interpolated phase-based indexing. You can also change the interpolation, bound modes, indexing mode etc. using @attributes, as well as channel indexing using inlets/arguments. 

A trick I often use to fill a [data] when a patch loads is to write a codebox script that runs only once. Here for example, it fills a data called "mydata" with a sine curve:

if (elapsed==0) {
	for (i=0; i<dim(mydata); i+=1) {
		phase = i / dim(mydata);
		s = sin(twopi * phase);
		poke(mydata, i, s);
	}
}

Of course you replace that with any function of `i` or `phase` you want.  

Thank you for this!  One thing that clearly hasn't changed during my Max/MSP hiatus is the friendly and helpful user base.

Your suggestion was really good, but it actually lead me to another, more concise solution for my specific purpose.  I was able to figure out enough of CODEBOX to get the results I needed!

Aside from Max, my personal coding experience stopped after learning BASIC on my Commodore 64, so I had to figure out some rudiments, but I was able to accomplish what I need with a series of:

if  (in1 == 1) then out1 = 55;
if (in1 == 2) then out1 = 78;
if (in1 == 3) then out1 = 99;

The result behaves exactly as I'd want it to - is there any reasons why this isn't a good method?

Mainly that the code is running on every sample frame of passing time! Like most things in gen~, the codebox's code runs at audio rate. If all you are doing is filling up some memory, it's probably better to do that once only. 

The `elapsed` keyword counts the sample frames since a patch was loaded (or since the last edit, which is the same thing). On the first sample frame, elapsed=0; on the next elapsed=1, etc. So by wrapping your setup in `if (elapsed==0) { ... }` it ensures that it only ever runs once. 

If the algorithm is simple, you could do this:

Data mydata(10);  // 10 or however many "rows" your "coll" should have
if (elapsed==0) {
  poke(mydata, 55, 0);
   poke(mydata, 78, 1);
   poke(mydata, 99, 2);
  // etc.
} 

Now in the patcher, you can create a [peek mydata] object, and if you send it a signal value of 0, it will output 55; if you send it a 1, it will output 78, etc. 

But if the list is very short, then you might just as well do what you did (slightly refined):

if  (in1 == 1) { out1 = 55; } 
else if (in1 == 2) { out1 = 78; } 
else if (in1 == 3) { out1 = 99; }

Ohhhh thank you!!  You just gave me an "a-ha!" moment...

So, if I understand you correctly (keeping in mind that the last bit of code I made involved a Commodore 64 and "20 GOTO 10") - doing it as I did is inefficient, because it forces those commands to be processed constantly.  BUT, if I instead use Codebox to send the same data to a data object (using elapsed == 0 as the trigger so that it only happens once), then the data sits in the data object, not using up resources, until such time as it gets "poked"?

My table is indeed very short (21 items), however, for the sake of good practice, it's important to me to do things the most efficient way, so that when bigger ideas hit me,  I've got good habits.

I really do  appreciate this.  Is there a document that you know of that I could read to learn how to use Codebox more succinctly? 

Cheers,
Joel



Lists within gen~?

Joe Kaplan

I'm having some trouble outputting a dictionary from my object. I think I'm following the examples in the documentation and the min.dict.join example. But I must be doing something wrong. I'm hoping someone can assist. I'm not sure where to go from here.

output.send("dictionary", Mydict.name());

This code prints "12345" to the max console. So I know I am creating a dictionary, it has a key, and that key has a value. But nothing comes out the output. When I hook up a [dict.view], nothing happens. When I hook it up to a [dict.join] or another dict object I get an error, "no dictionary in atoms"

I got the syntax for the last line from the [min.dict.join] example. Is there something I'm missing? Thank you for any assistance!

I'm having some trouble outputting a dictionary from my object.  I think I'm following the examples in the documentation and the min.dict.join example.  But I must be doing something wrong.   I'm hoping someone can assist.  I'm not sure where to go from here.

            dict Mydict;
            Mydict["FirstKey"] = "12345";
            cout << Mydict["FirstKey"] << endl;
            output.send("dictionary", Mydict.name());
This code prints "12345" to the max console.  So I know I am creating a dictionary, it has a key, and that key has a value.   But nothing comes out the output.  When I hook up a [dict.view], nothing happens.  When I hook it up to a [dict.join] or another dict object I get an error, "no dictionary in atoms"

I got the syntax for the last line from the [min.dict.join] example.  Is there something I'm missing?  Thank you for any assistance! 

I'm having some trouble outputting a dictionary from my object.  I think I'm following the examples in the documentation and the min.dict.jo

min-how-to-output-a-dictionary

Solved it shortly after posting.  Hopefully this will be helpful to others.  I missed a piece in the [min.dict.join] example.

 
            dict Mydict { symbol(true) };  
            Mydict["FirstKey"] = "12345";
            cout << Mydict["FirstKey"] << endl;
            output.send("dictionary", Mydict.name());
 
This works like a charm.  The dict needs to treated as a symbol for for the name  to be cached  in Max's symbol lookup table.  I suspect without this, Mydict.name() is empty, which explains the results I was getting.

Min: How to output a dictionary?

Simon Fight

hi all, I'm trying to enable the save and save as command in my standalone created with max 8. Isn't there an auto-save method when the app closes? Thanks!

hi all, I'm trying to enable the save and save as command in my standalone created with max 8. Isn't there an auto-save method when the app 

save-and-save-as-in-a-standalone-made-with-max-8

You can't save your patch from a standalone (actually a standalone is a Max collective opened by Max Runtime, hence the "Save" commands are disabled.

If you use [pattr] and [pattrstorage] you can save your patcher's attributes automatically on close using [pattrstorage @autosave 2].
If you are using [preset], you have to send it the "write" and "read" messages, you can automate those on opening and closing using [loadbang] and [closebang], but I wouldn't trust them.

You can even customize your standalone's menu bar using the [menubar] object if you want to implement a "save presets" command there, instead of placing a button in the patch itself.


thanks for your answer! i'm using presets, but after writing the preset on my hd, the read command doesn't read it to me, i'll create you a very simple, test patch!

You must specify a file name to the write and read messages


Thanks LSKA , as you said, I tried with [pattr] and [pattrstorage] and I think it's a better way to proceed, you were right, it's better not to use [preset]. I am also using [coll] to write all the data in a text file. Thanks again!

Save and Save as in a standalone made with Max 8

Ernest

After two years, the 'synthLab Libary,' is almost complete. Would you like to add anything to it? The full listing is 900 lines currently, so here are the signatures for the current methods in it:

/* -----------------------------------------------------------------------
            SYNTHLAB LIBRARY (beta 2)
/* -----------------------------------------------------------------------

ramp0(in1, linc);             // ramps to new val, incr = 1/#samples
smoother1(val);                 // smoothing over ~46 clock cycles
mixer3(x);             // 3-way linear mixer, returns gain for 3channels
pan3db(x);             // pan with -3dB center
parabol(in1, shape);             // parabolic shaper
hyperbol(in1, shape);            // hyperbolic shaper
a2db(a);             // quick amp to deciBel conversion
db2a(db);             // quick deciBel to amp conversion
qsin(x);             // quick sine calc
qcos(x);             // quick cosine emulation
qtan(x);              // simple tan emulation
qtanh2(x);              // Good-quality tanh emulation
powerfade(L1, L2, R1, R2, x);     // ganged fader with exp crossfade
stereomix(L1, L2, R1, R2, x);     // stereo ganged mix
quadAutoMix(in1, in2, in3, in4); // scale 4 inputs to add up to unity gain

spline2xUp(in1);         // 2x upsampling,   Catmulli Rom spline
spline2xDn(in1, in2);         // 2x downsampling, Catmulli Rom spline
spline4xUp(in1);         // 4x upsampling,   Catmulli Rom spline
spline4xDn(in1, in2, in3, in4); // 4x downsampling, Catmulli Rom spline
upsample(input);         // 3x upsampling,   sinc coefficients
downsample(val1, val2, val3);    // 3x downsampling, sinc coefficients

lo1pole(left, right, p);        // 1-pole low pass filter
loshelf12(in1, in2, pitch, db);        // 1-pole stereo low-shelving EQ filter
hishelf12(in1, in2, pitch, db);     // 1-pole stereo low-shelving EQ filter
shelf2corelo(in1, a0, a1, b1, w);   // 2-pole low shelving EQ core
loshelf22(in1, in2, p, db);         // 2-pole stereo low-shelving EQ filter
shelf2corehi(in1, a0, a1, b1);      // 2-pole high shelving EQ core
hishelf22(in1, in2, p, db);         // 2-pole stereo low-shelving EQ filter        
peakeq1(in1, p, db, bw);            // 1-pole peak EQ core 
peakeq1core(in1, w, d2, a0, a1, a2);// 2-pole peak EQ core
peakeq12(in1, in2, p, db, bw);      // 2-pole stereo peak EQ filter 
// utility function for demoing EQs:
eqsel(in1, in2, lop, midp, hip, log, midg, hig, bw, mode);  
limit1(in1, lclk);             // zero-crossOver limiter to unity gain
limit2(in1,in2,lvl,window,att,rel); // stereo limiter with settable window
// combined compressor and limiter
compander1(in1, type, amp, thresh, ratio, att, rel, lclk);

// 2-pole Butterworth svf core:
svfCore1(in1, wa, d1, ft1, ft1n, ft2, zlp, zbp); 
// Fully 3x-oversampled 2p/4p type -mixing SVF
filt3x(input,f0, q0, s0, lx, bx, hx, f2x, l4x, b4x, h4x, f4x, rsrx2pi){
svfCoeffs3x(f0, q0, s0, f4x, rsrx2pi); // coefficents for filt3x()
// 5D saturating filter with table-based gain limiting
filt5d3x(input, pitch, poles, res, sat, type, srflt);
svfCore5(in1, w, d, d2, g1, g2);       // Better 2-pole Butterworth core
saturator5(in1, sat, lclk, linc);      // 2x-oversampling tanh-based saturator
// 5d oversaturating filter with 2x tanh-based saturation
filt5d2x(in1, pitch, poles, res, sat, type, drive, lclk, linc);

/* -----------------------------------------------------------------------
			SYNTHLAB LIBRARY (beta 2)
/* -----------------------------------------------------------------------

ramp0(in1, linc);	         // ramps to new val, incr = 1/#samples
smoother1(val);		         // smoothing over ~46 clock cycles
mixer3(x);			 // 3-way linear mixer, returns gain for 3channels
pan3db(x);			 // pan with -3dB center
parabol(in1, shape);             // parabolic shaper
hyperbol(in1, shape);            // hyperbolic shaper
a2db(a);			 // quick amp to deciBel conversion
db2a(db);			 // quick deciBel to amp conversion
qsin(x);			 // quick sine calc
qcos(x);			 // quick cosine emulation
qtan(x);		 	 // simple tan emulation
qtanh2(x); 			 // Good-quality tanh emulation
powerfade(L1, L2, R1, R2, x);	 // ganged fader with exp crossfade
stereomix(L1, L2, R1, R2, x);	 // stereo ganged mix
quadAutoMix(in1, in2, in3, in4); // scale 4 inputs to add up to unity gain

spline2xUp(in1); 		// 2x upsampling,   Catmulli Rom spline
spline2xDn(in1, in2); 		// 2x downsampling, Catmulli Rom spline
spline4xUp(in1); 		// 4x upsampling,   Catmulli Rom spline
spline4xDn(in1, in2, in3, in4); // 4x downsampling, Catmulli Rom spline
upsample(input); 		// 3x upsampling,   sinc coefficients
downsample(val1, val2, val3);	// 3x downsampling, sinc coefficients

lo1pole(left, right, p);	    // 1-pole low pass filter
loshelf12(in1, in2, pitch, db);	    // 1-pole stereo low-shelving EQ filter
hishelf12(in1, in2, pitch, db);     // 1-pole stereo low-shelving EQ filter
shelf2corelo(in1, a0, a1, b1, w);   // 2-pole low shelving EQ core
loshelf22(in1, in2, p, db);         // 2-pole stereo low-shelving EQ filter
shelf2corehi(in1, a0, a1, b1);      // 2-pole high shelving EQ core
hishelf22(in1, in2, p, db);         // 2-pole stereo low-shelving EQ filter		
peakeq1(in1, p, db, bw);            // 1-pole peak EQ core 
peakeq1core(in1, w, d2, a0, a1, a2);// 2-pole peak EQ core
peakeq12(in1, in2, p, db, bw);      // 2-pole stereo peak EQ filter 
// utility function for demoing EQs:
eqsel(in1, in2, lop, midp, hip, log, midg, hig, bw, mode);  
limit1(in1, lclk); 		    // zero-crossOver limiter to unity gain
limit2(in1,in2,lvl,window,att,rel); // stereo limiter with settable window
// combined compressor and limiter
compander1(in1, type, amp, thresh, ratio, att, rel, lclk);

After two years, the 'synthLab Libary,' is almost complete. Would you like to add anything to it? The full listing is 900 lines currently, s

would-you-like-your-codebox-in-the-next-synthcore-library

have you check out stkr.waveshaping and those algorithms? They are their own thing already of course. But I think they are great wave shaping algorithms that would add things.

Thats an interesting thread on the forum. Unfoirtunately the links on the strkr website havent worked a long time. 

I found in an old archive of mine these functions, if someone has interest to implement them in the SynthCore library:
By the way, great project, Ernest.

I have the whole library downloaded with the algorithms, gen expr. Code etc. I can dig those up though I’m not sure if that’s ok to share this way? I think so.

also the website isn’t active but I believe I got them from the github.

Lemme know if you want them. I also release dance music commercially and have a fairly deep knowledge of sound design. I'm just not quite a coder or Max expert. But if you ever want someone to chat with about this I'm always available for that sort of stuff. Have an interesting idea I refer to as multiband synthesis as well that maybe you could implement better than I...

You're asking for codeboxes, but I do have some gen~ stuff that people might like a lot. Side chain pumper effect that automatically adjust with changing tempo. Multiband algorithmic distortions. Very modern kick drum, with fm noise (using your envelopes). Cascading mixer matrix that's probably wildly inefficient, but still lets you do fairly smooth wavetable fading. 

Well Ryan, I'd certainly be glad to hire you for at least a nominal fee to make some presets for Husserl 4, which will also include a multiphonic sequencer like the original Reaktor one, but it's going to be a while before I get to that. It's going to take at least a couple more weeks to finish converting the polyphonic Husserl 2 into the multiphonic Husserl 3.  

would you like your codebox in the next synthCore library?

Ben Bracken

. The Runner provides plug and play access to a 

 from the Max application, using using OSCQuery for communication with the running code.

This update features a new web-based interface with routing capabilities, expanded hardware support, along with many other improvements and bug fixes. Improvements include:

We've also rolled in direct support for the 

 add-on package, and have included a number of other improvements and bug fixes. Check out the release notes 

We are happy to announce the release of RNBO 1.3.0, available now for download via the Max Package Manager.

With this update, we are...

rnbo-130-released

RNBO 1.3.0 Released

We are excited to announce the availability of our 

 as a public beta. We’ve worked closely with 

. The Eventide H9000 is a rack-sized multi-effects unit with powerful DSP processing capabilities and numerous high quality built-in effects. We’re excited to enable RNBO export for this and open the door to unique custom studio effects and instruments without the strict limitations of other hardware platforms.

RNBO support is similar to the existing Gen support, but more streamlined, and uses the built-in 

, rather than a watcher patcher, to manage the export process. Eventually, all of these changes will be rolled into the standard release versions of RNBO and this package.

Get the preview version of the RNBO package (v1.2.7-eventide.0):

Get the preview version of the "Eventide H9000" package (v1.0.4-beta.3):

We’d love to hear any experiences and feedback from RNBO users with access to an H9000. To join the discussion, use the 

We are excited to announce the availability of our Eventide package for RNBO as a public beta. We’ve worked closely with Eventide to bring...

Cycling '74 Forums

We are happy to announce the release of RNBO 1.3.0, available now for download via the Max Package Manager. With this update, we are...

We are excited to announce the availability of our Eventide package for RNBO as a public beta. We’ve worked closely with Eventide to...

Hi there, I'm working on an interactive installation where a turnstile is equipped with a sensor outputting its absolute position in th

Thanks! I neglected to mention that the animation is based on an L-system, and realized with Processing. Many lines, some linear, some...

LOM says current_song_time gives the time in beats. New Live Sets default to 120 BPM, which is probably why you are seeing 2 beats per...

If anyone ever finds this and needs an answer, I found a hacky solution to solve it for now, from this thread:...

I am working on a modulation dial that has a value and deviation that can be assigned to one dial and would like to allow users to type in a

Ohhhh thank you!! You just gave me an "a-ha!" moment... So, if I understand you correctly (keeping in mind that the last bit of code I...

Solved it shortly after posting. Hopefully this will be helpful to others. I missed a piece in the [min.dict.join] example. dict Mydict...

Thanks LSKA , as you said, I tried with [pattr] and [pattrstorage] and I think it's a better way to proceed, you were right, it's better...

Well Ryan, I'd certainly be glad to hire you for at least a nominal fee to make some presets for Husserl 4, which will also include a...